Sunshine

“Sunshine of Mine” is the latest album from Billboard chart-topping artist and multi-platinum producer Emmanuel “U-Nam” Abiteboul. An eclectic concoction of eight original compositions plus two carefully crafted covers it opens with the easy grooving title cut that takes its name from the love U-Nam has for his six year old son Myles who, quite literally, is the sunshine of his life. Indeed, the sumptuous “Little Dreamer” again underscores the bond a father has with his son. From mellow beginnings that gradually evolve into a pulsating beat, U-Nam calls on the combined artistry of Kim Hansen on keys and Michael White on drums yet still stays at the epicentre of the entire piece.

After the darkness and uncertainty of the Lady Wood and BLUE LIPS years – which included vocal cord surgery and romantic turmoil – Tove Lo brings her music into the light with Sunshine Kitty. As with her other releases, its title is significant. Not only does Sunshine Kitty signify Lo's move to Los Angeles, it reflects a more lighthearted take on the pussy power she defined on her earlier work. As far back as "Habits (Stay High)," there's been a mischievous, even cute side to Lo's uncensored brand of pop, and it's a refreshing change of pace to hear her lean into it on Sunshine Kitty. She's rarely sounded happier than she does on "Glad He's Gone," where she bids adieu to a friend's unworthy ex-boyfriend with a lilting earworm of a chorus and a NSFW checklist of the things women do – and don't do – to stay in a relationship.

The cliché that circulated after the 2016 election foretold a new artistic golden age: Artists would transform their anger and anxiety into era-defining works of dissent in the face of authoritarianism. Yet Bob Mould calls his new album Sunshine Rock.

All tracks featured Mick Weaver as Wynder K. Frog, playing a Hammond B3 organ and were recorded in London playing over backing tapes by unnamed session musicians from New York…

Walking on Sunshine is the second studio album by Guyanese-British musician Eddy Grant, originally released in 1978 by Ice Records. Recorded at Grant's Stamford Hill recording studio, the album was the follow-up to his solo debut Message Man (1977) and fuses styles of Caribbean music like reggae, soca and calypso with other genres, including funk and pop. The musician played most of the album's instrumentation himself, and described the record as reflecting his joyousness. However, some songs feature tough cultural themes, particularly those on the first side.

This four CD Box Set presentation comprising all four of the original Harpers Bizarre albums; “Feelin’ Groovy”, “Anything Goes”, “The Secret Life of Harpers Bizarre”, and “Harpers Bizarre 4”, augmented by single A & B sides in chronological order of release.