Tchaikovsky The Nutcracker

Fans of the Nutcracker Suite who are looking for more of the same type of music need look no further than the complete ballet, which contains almost four times as much music as the eight-movement suite. The suite includes much of the most striking music, but the entire ballet is a lovely, lyrical piece that should appeal to fans of graceful Romantic orchestral music. Mikhail Pletnev, leading the Russian National Orchestra and the Vesna Children's Choir, delivers an elegant account of the score.

A quick glance at the cover of this recording of Pyotr Il'yich Tchaikovsky's The Nutcracker might cause some to mistake it for the original orchestral music, because the words "arranged for solo piano" are in the smallest print. Stewart Goodyear's piano arrangement of the complete ballet is a fascinating example of the art of transcription, and the pianist deserves credit not only for his ingenious handling of Tchaikovsky's orchestration in terms of the keyboard's sonorities, but also for playing with close attention to details and tone colors that give the music its fantastic character.

A masterpiece of classical dance, and a Christmas favourite with audiences everywhere, this Nutcracker is a magical version of the score by Tchaikovsky filmed at the Bolshoi Theatre. Since its première in Saint-Petersburg in 1892, The Nutcracker has been one of the most successful classical ballets and Tchaikovsky's score has become one of his most famous compositions. Yuri Grigorovich deals with Hoffmann s fantastic imagery and takes ideas from Marius Petipa s scenario: battle of the mice, snowflakes flurry, character dances executed by the dolls that came to life… The most talented soloists of the Bolshoi Ballet appear in this production including Nina Kaptsova (Marie) and Artem Ovcharenko (the Nutcracker Prince) and Denis Savin (Drosselmeyer).

There are only so many ways you can say it, but it's worth repeating: the combination of Valery Gergiev and the Kirov Orchestra is one of the all-time best when it comes to performing Russian music for the stage. The recording of the complete Nutcracker is just one example of their particular skills. There is a clarity and precision to the orchestra's playing that gives Tchaikovsky's music sparkle, while Gergiev breathes life into the dances and few moments of drama that are in the story. Even if you are only half-paying attention to it, you can still make out every distinct line, as melodies and countermelodies seamlessly pass from one instrument to another, and every nuance of dynamics and timing.