"The innovation, spirit and power of Jamaican music is a constant source of creative manna for us," explains Eric Hilton of DC-based electronic band THIEVERY CORPORATION about their new album THE TEMPLE OF I & I. "On the musical map, Jamaica is an entire continent. Frankly, we could have spent a year there, soaking up the vibes in the air and the strength and resilience resonating from the people. And for us, the only way to connect with this rich source of inspiration was to work in that environment - to feel the pulse of the place."
Mike Keane's first album in the Royal Family & the Poor guise was done only after plenty of ups and downs in Keane's own life as well as numerous personnel shifts and incarnations, but the end results were a sometimes delicate and often enthralling combination. It's actually a combination of several different sessions, though most were overseen by Peter Hook of New Order as producer, while the backing lineup of violinist John Neesham and synth player Lita Hira resulted in a distinct, not-rock-as-such sound. The album does very much reflect its time and place throughout. While it would be pushing it a touch to say it sounds exactly like a Factory record of the time "should," the combination of electronic drums, reverbed vocals, and aural mystery on songs like "Radio Egypt" and the particularly fine "The Dawn Song" is both familiar and slightly tweaked.
The second LP from the Split Enz splinter group.