Testament

An Introductory study of the Old Testament World, Cultures and Practises

Le Testament de la Tante Caroline ("Aunt Caroline’s Will") remains one of Roussel’s least-known works. It’s an energetic and imaginative operetta that sits perfectly in the lineage of French musical comedy, with a plot that concerns the conditions attached to the mischievous aunt’s will. The text is inimitably Parisian and Roussel responded with graceful and elegant writing that for some contemporary critics evoked the music of one his orchestral masterpieces, Le Festin de l’araignée. The operetta is heard here in the revision requested by Roussel’s widow which cuts three acts down to one.

Le Testament de la Tante Caroline ("Aunt Caroline’s Will") remains one of Roussel’s least-known works. It’s an energetic and imaginative operetta that sits perfectly in the lineage of French musical comedy, with a plot that concerns the conditions attached to the mischievous aunt’s will. The text is inimitably Parisian and Roussel responded with graceful and elegant writing that for some contemporary critics evoked the music of one his orchestral masterpieces, Le Festin de l’araignée. The operetta is heard here in the revision requested by Roussel’s widow which cuts three acts down to one.

Testament are proud to announce an explosive celebration of the band’s enduring legacy and their influential presence in the thrash metal scene. On July 12th, Testament will release the remastered versions of their seminal albums The Legacy & The New Order.

Testament is often credited as one of the most popular and influential bands of the thrash metal scene. Their debut album The Legacy immediately made an impact when it was first released in 1987. Music critic Alex Henderson of AllMusic gave it 4.5 out of 5 stars, praising the record for its “thrash circles” and for being “a relentlessly heavy and promising effort focusing on such subjects as the occult, witchcraft, nuclear war, and global destruction”.

The New Testament is a fascinating book—the canonical root of Christian history and theology. Yet the book is also a paradox, because this single “book” is comprised of 27 different books by more than a dozen authors, each of whom has a different perspective and is responding to a different set of historical circumstances. How do you reconcile this diversity of voices into a single, unified belief system? And should you even try?