The Album 2001

Behaviour is arguably Pet Shop Boys' best album – rivaled by the one that followed it, Very – so it's appropriate that it's paired with the best "further listening" component available in the reissue series. This is certainly a byproduct of the duo's high creativity between 1990-1991, but it's also a smartly selected, sharply assembled album in its own merit, containing several of the group's very best non-LP songs – "It Must Be Obvious," "Miserablism," "Bet She's Not Your Girlfriend," and the anthemic "DJ Culture" – which are sequenced between many fine extended mixes, including one of "Where the Streets Have No Name"/"I Can't Take My Eyes Off You."

Themes from Calmi Cuori Appassionati is a soundtrack album by Irish singer, songwriter and musician Enya, released in Japan on 30 October 2001 by WEA International. It is compiled of songs recorded between 1986 and 2000 that were used for the soundtrack to the 2001 Japanese romantic film Calmi Cuori Appassionati. The album entered the Japanese album chart at number two, and become Enya's second album after Paint the Sky with Stars – The Very Best of Enya (1997) to sell one million copies in the country.

Blind Faith's lone album is often considered vivid proof as to why superstar collaborations simply don't work, but that is a little unfair – in contrast to, say, Chess Records' various Super Blues releases, which stuck top musicians such as Muddy Waters and Howlin' Wolf together in awkward combos that they didn't really want to be part of, the guys in Blind Faith really were trying to work together on a long-term basis, and had an affinity for each other's work; the group just never had the time to evolve properly. And in retrospect, the album does have something to offer, including two songs that are touchstones of classic late-'60s rock: "Can't Find My Way Home" and "Presence of the Lord," not to mention the bracing "Sea of Joy."

Odessey and Oracle was one of the flukiest (and best) albums of the 1960s, and one of the most enduring long players to come out of the entire British psychedelic boom, mixing trippy melodies, ornate choruses, and lush Mellotron sounds with a solid hard rock base…

One of Herbie Hancock's greatest attributes is his ability to take a contemporary form of music and add his own unique perspective through his recordings. Future 2 Future is no exception to the rule. Teaming with Bill Laswell, Hancock recruits some of the most forward-thinking musicians in music for Future 2 Future. The contributions of electronic music pioneer Carl Craig, vocal diva Chaka Khan, drum'n'bass producer A Guy Called Gerald, as well as jazz legends Jack DeJohnette and Wayne Shorter make the album feel like a cross between modern electronica and world music. While a lineup with such immense talent promises the delivery of a powerhouse record, the finished product only delivers the goods moderately. Several pieces produced for the album were almost completed before Hancock contributed keyboards…