AUTUMN 1995: Anthony Way entranced the nation with his portrayal of Henry Ashworth, the choirboy in the BBC's lavish adaptation of Joanna Trollope's acclaimed novel, 'The Choir'. But it was the huge and unexpected success of the soundtrack from the series (it became the second fastest sellling classical CD in the UK), which really catapulted Anthony into the public eye. After numerous TV appearances, it became apparent that not only did audiences love him, but that feeling was reciprocal. – Roger Watson
You can often judge musicians by the company they keep. Float the Edge, the latest album from pianist-composer Angelica Sanchez, features her alongside two of the most sought-after rhythm-section musicians on the scene: veteran bassist Michael Formanek and rising-star Tyshawn Sorey, both acclaimed leader-composers in their own right. To be released via Clean Feed Records on March 25, 2017, Float the Edge sees this earthy, expansive trio perform Sanchez’s compositions, as well as several free improvisations. “A lot of what we do as a trio and what each of us does living a life in this music is take things to the edge, taking the risk to jump off without really knowing where you’re going to land,” the pianist says. “When it works, you feel like you’re floating it’s beautiful.”
Haydn’s stupendous, joyous and uplifting oratorio Die Schöpfung (The Creation) is thrillingly brought to life in this recording with Andrés Orozco-Estrada conducting the Houston Symphony, with the Houston Symphony Chorus and the acclaimed operatic soloists Nicole Heaston, Toby Spence and Peter Rose. With its startling dramatic gestures, bold orchestral colours and sublimely beautiful word painting, Haydn’s astonishing depiction of the Genesis creation story remains his supreme masterpiece and one of the best-loved works in the entire choral repertoire. In a vivid series of tableaux, from the creation of light to Adam and Eve’s love duet, Haydn brings to life the birds, beasts and angels which all rejoice in soaring, life-affirming music. Andres Orozco-Estrada writes: “What I love most about this piece is the tone painting and the richly colored way the music describes nature and animals. We tried to give the listener the possibility to imagine the musical illustrations Haydn composed in the “Creation,” which distinguish this outstanding work of art from others.”
South Africa’s lost jazz history contains many an overlooked classic. But even within that hidden tradition, there are few albums that suffered such an unlucky fate as Spring, the monumental 1968 debut album by pianist Ibrahim Khalil Shihab, formerly Chris Schilder.
The fifth "Switched On" volume from Stereolab yet again sweeps up a bunch of their rarest releases, throwing them together with a few unreleased tracks for good measure. This one's especially worth a peek, including Autechre's genius remix of 'Refractions in the Plastic Pulse' and Stereolab's second lengthy collab with Nurse With Wound.