The Demons 1973

A relic from the days when so many artists' catalogs were still unavailable on CD, and a decent hits package was the best you could hope for, Out Demons Out! is a generously stuffed compilation that carves through the Broughton Band's Harvest label catalog, and comes up consistently trumps. Of course the title track is here – a non-LP single at the time, it remains the archetypal Broughton performance, encapsulating everything that made the band great both on vinyl and in concert. But it is by no means the only classic in their arsenal: "Apache Drop Out," "Evil," and "Hotel Room" are all masterpieces, while "Up Yours" rivals "Out Demons Out" in the all-together-in-a-muddy-field shout-along stakes. The subsequent appearance of the full catalog on disc in its own right takes some of the urgency away from this collection, but anybody searching for an easy entry into the world of the Edgar Broughton Band will find no better introduction.

After scoring back-to-back album hits with Demons and Wizards and The Magician's Birthday, Uriah Heep had suddenly become a major attraction in the world of rock & roll. They capitalized on their newfound popularity with extensive touring and, since they lacked the time in their schedule to knock out a new studio album, their label decided they should release a live album to fill the gap. The result was Live: January 1973, the definitive live recording of the classic Uriah Heep lineup and a good indication of what made the group so popular among heavy metal fans during their heyday. The set list represents all the highlights of their albums up to the point, and everything is delivered with maximum energy before an enthusiastic Birmingham, England, crowd.

By late 1973, Marc Bolan's star was waning fast. No longer gunning out those effortless classics which established him as the most important figure of the decade so far, he embarked instead on a voyage of musical discovery, which cast him so far adrift from the commercial pop mainstream that when his critics said he'd blown it, he didn't even bother answering them back. Or that's the way it appeared at the time, and today, too, it must be acknowledged that 1974's Zinc Alloy & the Hidden Riders of Tomorrow is not classic Bolan, even if one overlooks the transparency of its title.

The final Free album, Heartbreaker was patched together from a variety of sessions – and it often sounds like it. Aside from drummer Simon Kirke and singer-guitarist Paul Rodgers, the band was in fragments…

After scoring back-to-back album hits with Demons and Wizards and The Magician's Birthday, Uriah Heep had suddenly become a major attraction in the world of rock & roll. They capitalized on their newfound popularity with extensive touring and, since they lacked the time in their schedule to knock out a new studio album, their label decided they should release a live album to fill the gap…

By 1973, Uriah Heep had progressed from an English heavy metal band to a worldwide success. They moved on to a new label (Warner Bros.) and began to explore new styles to flesh out their combination of prog complexity and heavy metal muscle…