The Dream Thief

The Virgin Years 1977-1983 is the follow-up to last year's The Virgin Years 1974-1978 (see review) by Tangerine Dream (TD). The latter album was a 3CD-box set comprising the five remastered albums TD recorded for Virgin Records between 1974 and 1978: Phaedra (1974), Rubycon (1975), Ricochet (1975), Stratosfear (1976) and Cyclone (1978) plus a selection of rare single releases, 7-inch edits as well as two rarely heard radio adverts. However, it didn't contain Encore, originally released in 1977. The follow-up to this previous release contains seven albums plus two singles all packed on a 5CD-album set.

Metalcore has had its share of fads over the years. From the emo singing choruses of the 2000s to the synth-infused electronicore of the 2010s, bands seem to be constantly searching for something new to fuse with the over-saturated genre. Los Angeles natives Phinehas have a different calling card: nonstop ferocious musicianship. While it's not the most unique approach to metalcore, this tactic has given the band a very consistent discography with plenty of variation kept between albums. The Fire Itself, while lacking the cohesion enjoyed by 2017's Dark Flag, leverages its sheer brutality to become one of the band's best albums to date…

Iconic and prolific composer and musical collaborator in the progressive rock universe, Neal Morse brings a new project to the genre with Neal Morse & The Resonance. Rather than an international alliance, like Transatlantic, The Resonance unites local musicians from the Nashville area.
The album consists of only five songs: but it's three short songs bookended by two prog opuses at over 20 minutes, Of course, in true Morse tradition, the two longer songs, Eternity In Your Eyes and No Hill For A Climber, are adventures in prog rock creativity and experimentation. Both are divided into parts with both instrumental and voice sections.
Of the shorter songs, Thief throws you a curve with its mild start, but then erupts with a heavier middle with some big drums and hard organ…

In its review of pianist Shai Maestro’s ECM leader debut The Dream Thief, All About Jazz spoke of “a searching lyrical atmosphere, emotional eloquence and communal virtuosity that serves the music.” All of which also applies to Human, where Maestro’s outgoing, highly-communicative band with fellow Israeli Ofri Nehemya on drums and Peruvian bassist Jorge Roeder becomes a quartet with the inspired addition of US trumpeter Philip Dizack. Shai’s expansive pianism is well-matched by Dizack’s alert, quick-thinking approach to improvising. And, as ever, Maestro is taking the music forward while also respecting its sense of tradition. Near the end of a programme comprised almost entirely of Maestro originals, exploring a range of temperaments, the quartet offers its own take on Duke Ellington’s “In A Sentimental Mood”, while Shai’s tune “Hank and Charlie” pays tribute to the musical empathy shared by the late Hank Jones and Charlie Haden. Human was recorded at Studios la Buissonne in the South of France in February 2020, and produced by Manfred Eicher.