The First 100 Jazz Chords

Guitar: The First 100 Jazz Chords for Guitar: How to Learn and Play Jazz Guitar Chords for Beginners

Guitar: The First 100 Jazz Chords for Guitar: How to Learn and Play Jazz Guitar Chords for Beginners by Mr Joseph Alexander
English | August 24, 2017 | ISBN: 1911267620 | 102 pages | EPUB | 3.08 Mb
Guitar: The First 100 Jazz Chords for Guitar: How to Learn and Play Jazz Guitar Chords for Beginners

Guitar: The First 100 Jazz Chords for Guitar: How to Learn and Play Jazz Guitar Chords for Beginners by Joseph Alexander
English | August 24, 2017 | ISBN: 1911267620 | 102 pages | AZW3 | 2.85 Mb

Guitar: The First 100 Jazz Chords for Guitar  eBooks & eLearning

Posted by Free butterfly at Dec. 21, 2022
Guitar: The First 100 Jazz Chords for Guitar

Guitar: The First 100 Jazz Chords for Guitar: A practical, musical guide to all guitar chord structures, voicings and inversions (Learn How to Play Jazz Guitar) by Joseph Alexander
English | August 22, 2017 | ISBN: N/A | ASIN: B0752MPLY3 | 109 pages | EPUB | 3.08 Mb
VA - The Columbia Jazz Piano Moods Sessions (Remastered) (2000)

VA - The Columbia Jazz Piano Moods Sessions (Remastered) (2000)
EAC Rip | FLAC (tracks, cue, log, scans) - 1.2 GB | MP3 CBR 320 kbps - 897 MB
6:29:55 | Jazz, Swing, Bop | Label: Mosaic Records

This seven-CD collection exhaustively documents Columbia Records' first attempt at niche marketing with the Piano Moods series. Born out an impromptu marketing plan by a small Columbia Records staff in 1950, the Piano Moods series was hatched from the marketing discovery that there were more pianos than phonographs (that's record players for all you kids who don't remember vinyl LPs) in the homes of postwar America. The 12" LP had been launched a scant two years before and few titles were available. The Piano Moods series linked 20 albums of the same general type, all of them produced and sequenced by George Avakian, who had created the jazz and pop catalog on LP for Columbia beginning in 1948 – though they were originally released 33 rpm 10" discs to keep the folks with all those 10" 78 rpm discs happy when it came to storage. The sides were cut – usually – with no spirals (spaces) between tunes, giving the side a longer feel than its 17 minutes because the music was continuous. Most pianists preset their sequences and prepared introductions of the key of the preceding tune that modulated into the key of the next one.
VA - The Columbia Jazz Piano Moods Sessions (Remastered) (2000)

VA - The Columbia Jazz Piano Moods Sessions (Remastered) (2000)
EAC Rip | FLAC (tracks, cue, log, scans) - 1.2 GB | MP3 CBR 320 kbps - 897 MB
6:29:55 | Jazz, Swing, Bop | Label: Mosaic Records

This seven-CD collection exhaustively documents Columbia Records' first attempt at niche marketing with the Piano Moods series. Born out an impromptu marketing plan by a small Columbia Records staff in 1950, the Piano Moods series was hatched from the marketing discovery that there were more pianos than phonographs (that's record players for all you kids who don't remember vinyl LPs) in the homes of postwar America. The 12" LP had been launched a scant two years before and few titles were available. The Piano Moods series linked 20 albums of the same general type, all of them produced and sequenced by George Avakian, who had created the jazz and pop catalog on LP for Columbia beginning in 1948 – though they were originally released 33 rpm 10" discs to keep the folks with all those 10" 78 rpm discs happy when it came to storage. The sides were cut – usually – with no spirals (spaces) between tunes, giving the side a longer feel than its 17 minutes because the music was continuous. Most pianists preset their sequences and prepared introductions of the key of the preceding tune that modulated into the key of the next one.
VA - The Columbia Jazz Piano Moods Sessions (Remastered) (2000)

VA - The Columbia Jazz Piano Moods Sessions (Remastered) (2000)
EAC Rip | FLAC (tracks, cue, log, scans) - 1.2 GB | MP3 CBR 320 kbps - 897 MB
6:29:55 | Jazz, Swing, Bop | Label: Mosaic Records

This seven-CD collection exhaustively documents Columbia Records' first attempt at niche marketing with the Piano Moods series. Born out an impromptu marketing plan by a small Columbia Records staff in 1950, the Piano Moods series was hatched from the marketing discovery that there were more pianos than phonographs (that's record players for all you kids who don't remember vinyl LPs) in the homes of postwar America. The 12" LP had been launched a scant two years before and few titles were available. The Piano Moods series linked 20 albums of the same general type, all of them produced and sequenced by George Avakian, who had created the jazz and pop catalog on LP for Columbia beginning in 1948 – though they were originally released 33 rpm 10" discs to keep the folks with all those 10" 78 rpm discs happy when it came to storage. The sides were cut – usually – with no spirals (spaces) between tunes, giving the side a longer feel than its 17 minutes because the music was continuous. Most pianists preset their sequences and prepared introductions of the key of the preceding tune that modulated into the key of the next one.
Oscar Peterson - Live At The Northsea Jazz Festival, 1980 (1980) Remastered 1998

Oscar Peterson - Live At The Northsea Jazz Festival, 1980 (1980) Remastered 1998
EAC | FLAC | Image (Cue&Log) ~ 387 Mb | Mp3 (CBR320) ~ 187 Mb | Scans included | 01:18:57
Mainstream Jazz, Bop, Hard Bop | Label: Pablo/Fantasy | # 00025218211529

This double album matches and mixes together four masterful musicians: pianist Oscar Peterson, guitarist Joe Pass, bassist Niels Pedersen and harmonica great Toots Thielemans. Together they perform O.P.'s "City Lights" and ten veteran standards with creativity, wit and solid swing. There are a few miraculous moments as one would expect from musicians of this caliber and the results are generally quite memorable.

Wes Montgomery - In Paris: The Definitive ORTF Recording (2018)  Music

Posted by delpotro at Aug. 28, 2019
Wes Montgomery - In Paris: The Definitive ORTF Recording (2018)

Wes Montgomery - In Paris: The Definitive ORTF Recording (2018)
EAC Rip | FLAC (tracks+log+.cue) | 01:42:52 | 604 Mb
Jazz, Hard Bop | Label: Resonance Records

Resonance Records is proud to announce the first official release of Wes Montgomery – In Paris: The Definitive ORTF Recording which captures the jazz guitar legend in concert during his only tour of Europe on the night of March 27, 1965 at the Théâtre des Champs-Élysées in Paris, France. Considered perhaps the greatest live Wes Montgomery performance ever, In Paris is being released in partnership with the Institut national de l’audiovisuel (INA) with remastered high-resolution audio transferred directly from the original tapes, and will mark the first time the Montgomery Estate will be paid for this recording, which has been available as various bootlegs since the 1970s. This is also Resonance’s second album released in partnership with INA in a series of ORTF recordings, following 2016’s critically acclaimed Larry Young – In Paris: The ORTF Recordings.
Art Blakey & The Jazz Messengers - First Flight to Tokyo: The Lost 1961 Recordings (2021)

Art Blakey & The Jazz Messengers - First Flight to Tokyo: The Lost 1961 Recordings (2021)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
2CD | Blue Note, B003372702 | ~ 386 or 243 Mb | Artwork -> 1.39 Mb
Hard Bop

This set is a previously unissued gig by one of the greatest lineups in the long history of Art Blakey & the Jazz Messengers – Blakey, drums; Bobby Timmons, piano; Wayne Shorter, saxophone; Lee Morgan, trumpet; Jymie Merrit, bass. First Flight to Tokyo: The Lost 1961 Recordings are drawn from the final shows of the band's first tour of Japan…

Machito - Afro Cuban Jazz (2019)  Music

Posted by varrock at July 11, 2019
Machito - Afro Cuban Jazz (2019)

Machito - Afro Cuban Jazz (2019)
WEB FLAC (tracks) - 254 MB | Tracks: 14 | 35:07 min
Style: Jazz, Latin | Label: Mas Rapida

Machito (born Francisco Raúl Gutiérrez Grillo, February 16, 1908? – April 19, 1984) was an influential Latin jazz musician who helped to refine Afro-Cuban jazz and to create both Cubop and salsa music. He was raised in Havana alongside the singer Graciela, his foster sister.