The First 100 Jazz Chords

The Köln Concert is a concert recording by the pianist Keith Jarrett of solo piano improvisations performed at the Opera House in Cologne (German: Köln) on January 24, 1975. The double-vinyl album was released in 1975 by the ECM Records label to critical acclaim, and went on to become the best-selling solo album in jazz history, and the all-time best-selling piano album, with sales of more than 3.5 million.

Wes Montgomery - Wes Montgomery & The Billy Taylor Trio (2005) {Lone Hill Jazz LHJ10211 rec 1963, 1965}
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© 1963, 1965, 2005 Lone Hill Jazz | LHJ10211
Jazz / Hard Bop / Soul Jazz / Guitar

This release includes two rare sessions led by West Montgomery in 1963 and 1965. The first date was recorded in New York on November 1963 and features the solid drumming of Montgomery's long-time contemporary Grady Tate as well as the tasteful playing of pianist Billy Taylor. The group is rounded out by bassist Ben Tucker and drummer Grady Tate with a special guest appearance by jazz vocal giant Joe Williams. An excellent studio date. The second group of tunes was recorded live during his triumphal European tour in the spring of 1965, with a completely different lineup. The four titles include the participation of the exceptional guest star, Clark Terry on trumpet, with accompaniment by a local rhythm section. A must have for all Wes Montgomery fans. Includes booklet with comprehensive liner notes.

Charlie Christian - The Genius Of The Electric Guitar (1939-1941) {4CD Deluxe Set Columbia C4K 65564 rel 2002}
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© 1939-41, 2002 Columbia / Legacy / Sony Music | C4K 65564
Jazz / Bop / Swing / Big Band / Guitar

First, a few myths get cleared up by the very existence of this box, which goes far beyond the original Columbia compilations with the same name. For starters, Columbia goes a long way to setting the record straight that Charlie Christian was not the first electric guitarist or the first jazz guitarist or the first electric guitarist in jazz. For another, they concentrate on only one thing here: documenting Christian's seminal tenure with Benny Goodman's various bands from 1939-1941. While in essence, that's all there really is, various dodgy compilations have been made advertising Christian playing with Lester Young or Lionel Hampton.

Coleman Hawkins was the first important tenor saxophonist and he remains one of the greatest of all time. A consistently modern improviser whose knowledge of chords and harmonies was encyclopedic, Hawkins had a 40-year prime (1925-1965) during which he could hold his own with any competitor…

In 1971, the Jazz Crusaders reinvented themselves for the first time. First they dropped the word "jazz" from their moniker, and secondly they wholeheartedly embraced electric bass and guitars in their mix. Their new "debut" is a wonder of jazz-funk as a natural evolution out of hard bop and soul-jazz. While the wonderful horn interplay between saxophonist Wilton Felder and trombonist Wayne Henderson is still everywhere evident, the badass, beat-driven rhythm section has Joe Sample playing funky Rhodes piano against Chuck Rainey's basslines and an orgy of guitars – led by Larry Carlton's brilliant lead work. These are all anchored by Stix Hooper's never out-of-the-pocket, popping kit work. Certainly other acts had used the same instrumentation, but the sheer sophistication in the Crusaders compositions and charts combined with their dedication to grooved-out accessibility – and Stewart Levine's magnificent production – made them a singular entity even in the up-and-coming jazz-rock fusion scene.