The First Five

Exciting accounts of eight anthems spanning nearly two hundred years, with a welcome emphasis firmly on recent works.

CD reissue of the debut album from the British Blues legends featuring 10 bonus tracks. Recorded live at the Marquee Club in 1964, the line-up of the band was their best-ever and featured Eric Clapton, Chris Dreja, Jim McCarty, Keith Relf and Paul Samwell-Smith.
Five Live Yardbirds was the first important - indeed, essential - live album to come out of the 1960s British rock & roll boom. In terms of the performance captured and the recording quality, it was also the best such live record of the entire middle of the decade. Five Live Yardbirds was a popular album, especially once Eric Clapton's fame began to spread after he left the band.

Purveyors of contemporary ambient and electronic inspired music, A Winged Victory for the Sullen make a bold return on new album “The Undivided Five”. The pair, made up of Dustin O’Halloran and Adam Wiltzie, have created iconic film scores and forward-thinking ambient groups, releasing a series of game-changing records for Erased Tapes and Kranky. On “The Undivided Five” they rekindle their unique partnership for only their second piece of original music outside of film, TV and stage commissions, creating an album that channels ritual, higher powers and unspoken creative energies. Their fifth release (following their debut album, two scores and an EP), they embraced the serendipitous role of the number five, inspired by artist Hilma af Klint and the recurrence of the perfect fifth chord.

Garth Brooks has announced the release of a career-spanning multi-part anthology. Beginning on November 14th, Brooks will release Part 1: The First Five Years, which chronicles 1989 through 1993.

Steve Lacy - Five Facings (2008) {Jazzwerkstatt jw025}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 378 Mb | MP3 @320 -> 182 Mb
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© 2008 Jazzwerkstatt / FMP | jw025
Jazz / Free Improvisation / Saxophone / Piano

This set, recorded between April 4 and April 8, 1996, teamed soprano saxophone giant Steve Lacy with five different pianists. Half the cuts were composed by Lacy, three by Thelonious Monk, and one improvisation by Van Hove and Lacy – the least interesting work included here, because it didn't work. The first five tracks would have made an album for any jazz fan, and the rest, while interesting, don't touch the first half, and perhaps that's because the first two pianists are Marilyn Crispell and Misha Mengelberg. Two pieces by Lacy, "The Crust" and "Blues For Aida," start things off with Crispell playing an inspired counterpoint to the artist during the melody, moving into a piano solo that combines a total shift of Lacy's compositional thought into an almost purely classical realm (Bruckner anyone?) before entering into a dialogue that brings the work back to the jazz tradition, and there is no seam.