The First Five

The Rolling Stones’ 1981 tour was the biggest rock and roll event of the year. The size of the production, the length and the pubulicity surrounding it were unprecedented. They played in the biggest arenas, sometimes for multiple nights, and orchestrated a media blitz which saw them appear on television somewhere in the world at least once a week on local stations, syndicated shows like Rona Barrett’s new news program “Inside & Out” and on cable television with several appearances on the brand new channel MTV. The big tour finale was the pay-per-view broadcast by satellite on the final night…

Although often overshadowed by the Los Angeles and New York folk-rock scenes, San Francisco also contributed several notable bands. Among them are We Five, featuring Mike Stewart (vocals/guitar/banjo) - brother of Kingston Trio member John Stewart - Peter Fullerton (vocals/bass), Beverly Bivens (vocals), Bob Jones (guitar/vocals), and Jerry Bergan (guitar/vocals). The quintet was among the first Bay Area groups to have chart success merging acoustic-based folk music with electric instrumentation. This single CD, from mail-order archivists Collector's Choice Music, contains the quintet's first two long-players: You Were on My Mind and Make Someone Happy. Both titles are similar in style and content, charting the linear progression of pop music and its fusion with folk, rock & roll, and post-bop jazz…

If one had to point to a single initial salvo that launched the garage rock revival movement in the 1970s and ‘80s, it would have to be the release of Nuggets: Original Artyfacts from the First Psychedelic Era 1965-1968 in 1972. Elektra Records had approached rock critic Lenny Kaye (not yet the guitarist with the Patti Smith Group) with the notion of compiling an album of great, overlooked rock tunes, but what Kaye came up with was something significantly different - an overview of the great, wild era when American bands, goaded by the British Invasion, began honing in on a tougher and more eclectic rock & roll sound, and kids were reawakened to the possibilities of two guitars, bass, and drums. Coming up with a simple definition of this period and its sound proved daunting - the word "garage" appears nowhere in the liner notes to Nuggets, and his notion of "the first psychedelic era" quickly fell by the wayside…

If one had to point to a single initial salvo that launched the garage rock revival movement in the 1970s and ‘80s, it would have to be the release of Nuggets: Original Artyfacts from the First Psychedelic Era 1965-1968 in 1972. Elektra Records had approached rock critic Lenny Kaye (not yet the guitarist with the Patti Smith Group) with the notion of compiling an album of great, overlooked rock tunes, but what Kaye came up with was something significantly different - an overview of the great, wild era when American bands, goaded by the British Invasion, began honing in on a tougher and more eclectic rock & roll sound, and kids were reawakened to the possibilities of two guitars, bass, and drums. Coming up with a simple definition of this period and its sound proved daunting - the word "garage" appears nowhere in the liner notes to Nuggets, and his notion of "the first psychedelic era" quickly fell by the wayside…

10 CD box set containing sixteen original LP albums by the legendary jazz pianist and composer Dave Brubeck, including 'Time Out', which was the first jazz album to sell more than a million copies and featured the best-selling jazz single of all time, "Take Five". These classic albums were recorded between 1946 and 1960 and document arguably the most important years of Brubeck's career…