In the liner notes to these carefully packaged reissues, all four of the Incredible String Band principals– co-founder Clive Palmer, core duo Mike Heron and Robin Williamson, and Elektra records executive Joe Boyd– offer their insights in separate essays. Three of them mention the smell of patchouli. Such were the times, certainly, but the ISB are loved equally by avant-garde musicians, psychedelia enthusiasts, and those slightly dweeby young gentlemen who hang around music shops on college campuses. The reissue of their first four albums probably put to rest any notion that the ISB were a properly great band, releasing just one true classic, but they were rarely anything less than brave, inspired, and profoundly weird.
Robert Fripp and David Sylvian's first official release together, The First Day, is a much funkier and more percussive affair than its bootleg predecessor, The Day Before (which contained radically different versions of these songs). An obvious reason for its higher quality is that it was recorded in a studio, while the bootleg consisted of in-concert demos, and the songs here have been worked to completion. Fripp has found an extremely talented singer/partner in Sylvian, who adds a lot to his quirky compositions. Trey Gunn (who plays a bass-like instrument called the stick) makes each track practically groove and breathe on his own, and allows Fripp to stretch out and experiment in ways previously unheard by this guitar icon…
This exemplary four-disc box takes the high road, attempting nothing less than an honest reconstruction of the Who's stormy, adventurous, uneven pilgrimage. While offering an evenhanded cross-section of single hits and classic album tracks, 30 Years garnishes the expected high points with B-sides, alternate and live versions of familiar tracks, and the quartet's earliest singles as the High Numbers…