The French Album

2xHD presents "Le French Album" - a wonderful musical voyage to France. This is a beautifully recorded collection of jazzy French songs both new and old. Including favourites such as "C'est si bon and Les feuilles mortes" sung by the likes of Juno Award-winning singer Emilie-Claire Barlow, and "Sous le ciel de Paris" by Juno nominee Jill Barber. This is a charming collection of chanson that is not to be missed.

With almost ten years of pop history, the Dolly Dots are an important chapter in Dutch pop music. It's high time to give the Dolly Dots' oeuvre the release it deserves in this beautiful collector's box from music label CD-licious.
‘The Complete Album Collection… and a little bit more!’ brings all ten albums together, plus many rare bonus tracks, of which many have not been available for over 35 years. Most albums have their first official release in this boxset.It contains 141 tracks on ten CDs, of which 58 were previously unavailable officially on CD. In addition to the albums, the 10-CD boxset also contains 12” versions, B-sides, single versions and foreign releases. The Dolly Dots recorded a French-language single for the French market. Different versions of 'P.S.' appeared in America. Also in Japan and on various singles, versions were heard that were different from those on the albums. In the archives one recording has also been found especially for this CD box, that has never been released before: the classic 'Sloop John B.'.

With almost ten years of pop history, the Dolly Dots are an important chapter in Dutch pop music. It's high time to give the Dolly Dots' oeuvre the release it deserves in this beautiful collector's box from music label CD-licious.
‘The Complete Album Collection… and a little bit more!’ brings all ten albums together, plus many rare bonus tracks, of which many have not been available for over 35 years. Most albums have their first official release in this boxset.It contains 141 tracks on ten CDs, of which 58 were previously unavailable officially on CD. In addition to the albums, the 10-CD boxset also contains 12” versions, B-sides, single versions and foreign releases. The Dolly Dots recorded a French-language single for the French market. Different versions of 'P.S.' appeared in America. Also in Japan and on various singles, versions were heard that were different from those on the albums. In the archives one recording has also been found especially for this CD box, that has never been released before: the classic 'Sloop John B.'.

The Beatles’ revolver has become a new era album that uniquely identifies what it was. The music nature of the Beatles that extended the Oldies of the 50’s left the residue up to around “BEATLES FOR SALE”, the treatment of the world is idle, and actually “HELP” has “four people The idol “is given to the title. But the high artistic glimpse of that “HELP” was deepened with “RUBBER SOUL”, indicating that the Beatles were becoming an existence that does not fit within the idol category of one. Until then, I had been doing a tour in parallel with recording, but after stopping the tour in 1966, I will combine the styling of studio work and make ‘Sargent Peppers’. This album gets a high reputation both inside and outside, but it seems that “revolver” was the reason for its production. Indeed there are also reasons for time, but there are many songs that are difficult to reproduce on the stage with the technology at the time, without having played one song from the “revolver” at the stage. The “Paperback · Writer” which was the same period recording that was only released as a single was only played on the 1966 tour, “Rain” on the reverse side uses reverse rotation of the tape It was impossible. The Beatles must have perceived the real pleasure and entertainment of studio production with ‘revolver’. It should have thought that if it takes more time it will be able to create a more dense album. That was connected to Sargent Pepper’s discontinuance of the tour activity afterwards.

The Beatles’ revolver has become a new era album that uniquely identifies what it was. The music nature of the Beatles that extended the Oldies of the 50’s left the residue up to around “BEATLES FOR SALE”, the treatment of the world is idle, and actually “HELP” has “four people The idol “is given to the title. But the high artistic glimpse of that “HELP” was deepened with “RUBBER SOUL”, indicating that the Beatles were becoming an existence that does not fit within the idol category of one. Until then, I had been doing a tour in parallel with recording, but after stopping the tour in 1966, I will combine the styling of studio work and make ‘Sargent Peppers’. This album gets a high reputation both inside and outside, but it seems that “revolver” was the reason for its production. Indeed there are also reasons for time, but there are many songs that are difficult to reproduce on the stage with the technology at the time, without having played one song from the “revolver” at the stage. The “Paperback · Writer” which was the same period recording that was only released as a single was only played on the 1966 tour, “Rain” on the reverse side uses reverse rotation of the tape It was impossible. The Beatles must have perceived the real pleasure and entertainment of studio production with ‘revolver’. It should have thought that if it takes more time it will be able to create a more dense album. That was connected to Sargent Pepper’s discontinuance of the tour activity afterwards.

Two disc package with some of the most critically acclaimed music of Joan Jett's career. Album has the Top 40 hits 'Fake Friends' and 'Everyday People' as well as fan favorite 'The French Song'. in addition, the 'Everyday People' dance mix, included here, was a Top 10 R&B hit. Glorious Results Of A Misspent Youth features great original material like 'Frustrated' and the legendary Runaways hit 'Cherry Bomb'. Both of these CDs have been remastered and include enhanced material, including live footage from the era of the original albums.

French TV's newest CD, A Ghastly State Of Affairs is their 15th in their long history. It is also their first album not to be self-released. Headed up by charter member bassist/composer Mike Sary, he is joined again by guitarist Kasumi Yoneda (also from the Japanese band TEE), keyboardist Patrick Strawser (best known for his work in the 90's band Volare), and now by the original drummer from FTV's first three abums, Fenner Castner.