The French Album

To celebrate the 25th anniversary of the release of "She’s The One," we are releasing a remixed, remastered and re-imagined version of this album. The original album included several songs that were left off the original Wildflowers album (recently included as the "All The Rest" disc in the "Wildflowers & All The Rest" re-issue), so this re-release is an appropriate ending to the campaign celebrating the Wildflowers-era. Ryan Ulyate (Tom’s long-time engineer and producer) has remixed the audio, and the song selection is designed to work as a Tom Petty And The Heartbreakers album, rather than a soundtrack album. Four unreleased tracks have been added; the rocker “105 Degrees” (written by Petty), a cover of JJ Cale’s “Thirteen Days”, “One of Life’s Little Mysteries” (another Petty original), and an instrumental (“French Disconnection”) in the same vein as the instrumentals on the original album.

Monkey Me is the ninth studio album by French singer-songwriter Mylène Farmer, and her 18th album overall. Preceded by the lead single "À l'ombre", which peaked at number-one in France, the album was released on 3 December 2012. Despite mixed reviews from critics, it entered the French album chart at number one in its first week. The album was certified 3× Platinum within its first month of release in France. The album was supported by the sold-out Timeless tour the following year. Despite its strong sales, the album received mixed reviews from the press. On one hand, many critics welcomed the return of Laurent Boutonnat in the songwriting process;[citation needed] on the other hand, others, for example the magazine 7 sur 7, found the arrangements very dated.

One of the piano's most lyrical contemporary proponents, Murray Perahia was born in New York City. After first sitting down at the piano at the age of four, he entered Mannes College at 17, later graduating with degrees in conducting and composition. At the same time, Perahia spent his summers in Marlboro, Vermont, collaborating with musicians including Rudolf Serkin, Pablo Casals and the members of the Budapest Quartet; he also studied with Mieczyslaw Horszowski. Upon winning the Leeds International Piano Competition in 1972, Perahia gave his first concert at the Aldeburgh Festival a year later, where he met and worked with Benjamin Britten and Peter Pears, subsequently accompanying the latter in many lieder recitals. Perahia became co-artistic director of the Aldeburgh Festival in 1981, a position he held for eight years; his recordings include the complete concertos of Mozart, Beethoven and Chopin.

One of the less essential '60s albums by the Hollies, whose capabilities were arguably stretched by the two-album-a-year-pace-in-addition-to-three-hit-singles model established by the Beatles during this time. Their version of Paul Simon's "I Am a Rock" is nice, but the soul and early rock covers of Sam & Dave, Otis Redding, and Chuck Berry are pretty dispensable; the Hollies were not the Stones or the Animals, lacking their soul and interpretative imagination. Some of the originals are pretty ho-hum too (including the pathetic "Fifi the Flea," which was covered by the Everly Brothers). But every Hollies album of the '60s has some strong overlooked tracks. On this one, they're the surprisingly tough folk-rockers "Hard, Hard Year" and "I've Got a Way of My Own." The ultra-catchy "Don't You Even Care," written by Clint Ballard, Jr. (also responsible for their number one British hit "I'm Alive," as well as "The Game of Love" and "You're No Good"), is the real obscure gem here and could have well been a hit under its own steam…

Having already attracted attention for his exceptional gifts, Bach entered the service of the Weimar court at the age of twenty-three. This was the start of the period known as his ‘early maturity’, in which his formal and expressive experiments reflect a significant interest in French music and ‘la belle danse’. The close intertwining of French and German styles is the dominant feature of this third volume in Benjamin Alard’s recording of the complete organ and harpsichord works.

Orchestre Poly-Rythmo De Cotonou-Dahomey - The 1st Album 1973 (2011) {Analog Africa AACD-DE 01}
XLD rip (secure mode) | FLAC (tracks)+CUE+LOG -> 211 Mb | MP3 @320 -> 78 Mb
Full Artwork @ 300 dpi (jpg) -> 14 Mb | 5% repair rar
© 1973, 2011 Analog Africa | AACD-DE 01
Afro Beat / Funk / African Music / World Music

Nestled in between Nigeria and Ghana, the traditional heavyweights of the golden West African musical axis, Benin, formerly known as Dahomey, has birthed some of the most raw and psychedelic Afro sounds to emerge from a continent blessed with artistic talent. From Lome to Luanda, Africa's coastal cities have constantly served as creative hubs and Benin's economic capital, Cotonou, is no exception. The former French trading post has spawned several bands and performers, the most indefatigable and prolific of which undoubtedly remains Orchestre Poly-Rhythmo.