The Future Sound of London Gribovar

Since 2017 FSOL have released what’s called Calendar albums, which are digitally delivered monthly tracks that form a twelve track album by the end of the year. This release picks the best tracks from the last 4 years and brings them together in a seamlessly mixed fifty minute journey - eleven songs from FSOL, Humanoid and Synthi-a.

Over the past 5 years, The Future Sound of London have released three A6 booklets, filled with stories of FSOL's past, images and accompanied by 20 mins of music. For the first time, these have now been put these together to form a 1 hour seamless journey.

The Pulse EPs gathers together some of the strongest tracks FSOL recorded before the release of Accelerator (1991). Originally pressed as four 12" EPs between 1991 and 1992, the record collects 16 pieces under the band's more well known aliases of Mental Cube, Indo Tribe, Yage and Smart Systems, plus the first ever Future Sound of London tracks (which, "Hardhead" in particular, are far removed from the layered, abstract work the name is most famous for). On that level, there is little here for those wanting another Lifeforms or Dead Cities, but any fans of Accelerator are urged to get ahold of this, and it works as a more singular and focussed effort than the similar Earthbeat compilation, which veers jarringly from vocal house to ambient breaks and acid house…

The Future Sound of London’s long and varied history stretches back almost 25 years and as such a vast amount of unrealised material exists in the FSOL Archives. 1988 to 2018 - 30 years of recorded history Archived 9 brings further treats from the mammoth FSOL archives - this time ranging from early 90s right up to recent times. 17 unreleased tracks woven together to form over 60 mins of mind bending sound experiments From light to darkness from forests to deserts onwards. Did you know - The Future Sound of London were the first band to distribute their music via the internet, in 1994? Did you know - The Future Sound of London were the first band to use ISDN technology to transmit their music via the internet and also to radio stations across the world - a system that has now been adopted by the radio industry worldwide?

The Future Sound Of London's Translations takes their very essence, subverts it, turns it on it's head, twists and nurtures it. This is an album that makes a global journey of rare insight and beauty through the history of musical composition. Translations grew from the seminal 'Papua New Guinea' and is a transportive journey through the world of music and image, an album which is a stepping stone between their former works and their new incarnation.

The Future Sound of London’s long and varied history stretches back almost 25 years and as such a vast amount of unrealised material exists in the FSOL Archives. Archived 8 brings together another 12 such tracks; in some cases these are completed but unreleased songs from that time, in others the songs have been reconstructed or enhanced and then further mixed to form the journey. This album is not just a collection of random off-cuts. It is a fully realised album, worthy of sitting alongside the rest of the band’s critically acclaimed work.

Delicate melodies collide with deeply fragmented electronics - surfing atop muted rhythms and beats. Unique and unplaced the FSOL are unrivalled in art-electronic.

The Woodlands of Old is a 2008 album by the Future Sound of London under the alias of their "engineer" "Yage". It is an electronic record foremost but using more traditional drums and percussion, ex-Propellerheads member Will White contributes drums, along with a number of ethnic sounding instruments, which tie in with the band's description of the album suggesting "the deserts of the middle east to the rain forests of Brazil".

The Amorphous Androgynous return with symphonic 41 minute 'We Persuade Ourselves We Are Immortal' in 6 epic parts. Featuring the legendary Peter Hammill (the Van Der Graaf Generator) on vocals alongside a host of musicians including Paul Weller (piano and guitar) Ray Fenwick (Spencer Davis Group / Ian Gillan Band) lead guitar, Brian Hopper (Caravan / Soft Machine) on sax and many others including the 50 piece Chesterfield Philharmonic Choir and a 25 piece sumptuously recorded live orchestral string section…

The third volume in Virgin's Ambient series doesn't change the game much; there are a few newer acts sprinkled amongst the two-disc set (FSOL, William Orbit, Bark Psychosis) but the main focus here is on classic ambient masters (Brian Eno, Robert Fripp, David Sylvian, Ryuichi Sakamoto, Harold Budd) and quieter selections from Virgin artists who wouldn't normally be classified this way (Prince Far I, Holger Czukay, Shu-De, Bill Laswell, Nusrat Fateh Ali Khan). The result is another fine collection, a must have album for any eclectic music lover.