The Heir Apparent

Less than four months after issuing the landmark and autobiographical Captain Fantastic and the Brown Dirt Cowboy (1975), Elton John re-emerged with a new band and a slightly modified sound. However, the departure of Dee Murray (bass) and Nigel Olsson (drums) would ultimately begin a deceleration in terms of John's success, which rivalled only the Beatles' and Elvis Presley's in terms of global acclaim…

Less than four months after issuing the landmark and autobiographical Captain Fantastic and the Brown Dirt Cowboy, Elton John re-emerged with a new band and a slightly modified sound. However, the departure of bassist Dee Murray and drummer Nigel Olsson began a deceleration in terms of John's success, which rivalled only the Beatles' and Elvis Presley's in terms of global acclaim. The revamped band grew to include new associates James Newton Howard on keyboards and Kenny Passarelli on bass as well as drummer Roger Pope and guitarist Caleb Quaye, who had both performed with John as far back as his first long-player…

Debut albums rarely arrive with as much expectation as Embrace's The Good Will Out – in Britain, at least. Arriving after the massive success of Oasis and the Verve, The Good Will Out was perceived as the heir apparent to the lad-rock throne. One listen to The Good Will Out illustrates why – the group ingeniously combines the anthemic hooks and monolithic roar of Oasis with the sweeping aural majesty of the Verve. That alone makes the album a bracing listen, but The Good Will Out doesn't quite have enough substance to compete in the big leagues. Danny McNamara simply doesn't have the charisma of Liam Gallagher or Richard Ashcroft, and his songs aren't as immediate or memorable as Noel Gallagher's or Ashcroft's. That's not to say they're bad songs – on the contrary, they're quite good, and they're performed passionately. It's just that in comparison to their peers – who really are their influences, as well – they lack that certain magic. Nevertheless, The Good Will Out illustrates enough promise and panache to make it a first-rate debut.

Less than four months after issuing the landmark and autobiographical Captain Fantastic and the Brown Dirt Cowboy, Elton John re-emerged with a new band and a slightly modified sound. However, the departure of bassist Dee Murray and drummer Nigel Olsson began a deceleration in terms of John's success, which rivalled only the Beatles' and Elvis Presley's in terms of global acclaim. The revamped band grew to include new associates James Newton Howard on keyboards and Kenny Passarelli on bass as well as drummer Roger Pope and guitarist Caleb Quaye, who had both performed with John as far back as his first long-player…