The Island 1980

Aswad is arguably Britain's most successful reggae band, in terms of both popularity and longevity. Critical opinion of their body of work is often divided. Some hail their early material as the greatest roots reggae Britain ever produced, beginning with their 1975 self-titled debut, which highlighted the plight of the immigrant Jamaican in the unfamiliar and often hostile environment of '70s London. Others find their later pop-crossover phase more distinctive and unique, when they shifted to funk and soul, resulting in the U.K. chart-topper "Don't Turn Around." Regardless, Aswad's ability to adapt themselves to the changing times – new musical trends, shifting personnel – was ultimately the driving force behind their decades-long career.

Robert Palmer’s back catalogue has been shamefully out of print for many years, and only recently have US specialist Culture Factory sought to do something about this, with a few select reissues. However, Island Years 1974-1985 is a rather special box set released only in Japan in 2007, with an exclusive (and excellent) remastering that has never been used anywhere else. It includes all Robert Palmer’s albums originally released on the Island label between 1974 and 1985: Sneakin’ Sally Through The Alley (1974), Pressure Drop (1975), Some People Can Do What They Like (1976), Double Fun (1978), Secrets (1979), Clues (1980), Maybe It’s Live (1982 – with original cover), Pride (1983) and Riptide (1985). Each disc is presented in an exquisitely detailed mini LP-style vinyl replica sleeve.

Queen had long been one of the biggest bands in the world by 1980's The Game, but this album was the first time they made a glossy, unabashed pop album, one that was designed to sound exactly like its time…

The Game is the eighth studio album by the British rock band Queen. It was released on 30 June 1980 by EMI Records in the UK and by Elektra Records in the US. The Game features a different sound than its predecessor, Jazz (1978). The Game was the first Queen album to use a synthesizer (an Oberheim OB-X). A critical and commercial success,The Game became the only Queen album to reach No. 1 in the US, and became their best-selling studio album in the US, with four million copies sold to date, tying News of the World's US sales tally. It is estimated to have sold a further 4 million copies in other countries. Notable songs on the album include the bass-driven "Another One Bites the Dust" and the rockabilly "Crazy Little Thing Called Love", both of which reached No. 1 in the US. The Game was the first Queen album to be recorded digitally.

The Game is the eighth studio album by the British rock band Queen. It was released on 30 June 1980 by EMI Records in the UK and by Elektra Records in the US. The Game features a different sound than its predecessor, Jazz (1978). The Game was the first Queen album to use a synthesizer (an Oberheim OB-X). A critical and commercial success,The Game became the only Queen album to reach No. 1 in the US, and became their best-selling studio album in the US, with four million copies sold to date, tying News of the World's US sales tally. It is estimated to have sold a further 4 million copies in other countries. Notable songs on the album include the bass-driven "Another One Bites the Dust" and the rockabilly "Crazy Little Thing Called Love", both of which reached No. 1 in the US. The Game was the first Queen album to be recorded digitally.

An epidemic of appliance madness unrelated to discount sales strikes an island off the coast of France: the islanders are being murderously attacked by ovens and refrigerators acquired in the same department store. Enter the young Dr. Gabrielle Martin (Anny Duperey), who arrives here to escape her own personal tragedy and instead lands in the middle of the kitchen mania. She tracks down the cause of the rapidly spreading epidemic to another doctor on the island – quite as insane as any of the kitchen appliances (if the comparison could be made) – and finds that the villainous doctor and the appliances have a most unusual link. Graphic scenes of mutilation by an oven, as one example, leave nothing much to the imagination in this film, but the interpretations of actors Anny Duperey and Jean-Claude Brialy as the good and evil doctors are excellent.

It is a hefty box in every sense: 13 CDs, supplemented with two DVDs, accompanied by a gorgeous hardcover book and a variety of tchotchkes, including a poster that traces the twisted family trees and time lines of the band and, just as helpfully, replicas of legal documents that explain why the group didn't retain rights to its recordings for years…