This album consists of material that she is, mostly, the songwriter, that makes echoes to the music and spirit of Nina Simone, Thelonious Monk and Janis Joplin. Recorded in studio in live conditions, Soulblazz favors warmth of acoustic instruments. The twelve songs successful highlight the spirituality of the soul, the intensity of blues and jazz aesthetics for which the singer injected energy roots rock.
Prior to the release of The Power to Believe (2003), King Crimson issued this disc in two distinct forms. In Asian territories it was christened Shoganai (2002) - which literally translates as "it could not be helped" or there is no way of doing, or nothing can be done. In the rest of the world, it was released as Happy with What You Have to Be Happy With (2002). While P.J. Crook's inventive artwork is perceptibly different, the audio contents are the same. Featured within is King Crimson's inaugural incarnation of the 21st century with Adrian Belew (guitar/vocals), Robert Fripp (guitar), Trey Gunn (Warr guitar/rubber bass/fretless Warr guitar), and Pat Mastelotto (drums/percussion) all providing their respective input…
What we have here is an excellent compilation of 90 tracks from the first years of Elvis’s success. The majority of the hits are on the first two discs, with the third being, in the main, a collection of his finest religious recordings from the period. All the early hits are here; “Heartbreak Hotel”, “All Shook Up”, Jailhouse Rock”, “Love Me, Tender”, “Hound Dog”, “Are You Lonesome Tonight” and many more. Some of his best early performances, such as “That’s All Right” and “Mystery Train” are also included, as are some of the film songs, such as “GI Blues”, “Wooden Heart”, “Loving You” and many others.