The hugely well-respected and historically important Kinks seventh studio album Arthur Or The Decline And Fall Of The British Empire was released on 10th October 1969, and celebrates its 50th anniversary on 2019. 'Rock musical' in style and one of the most effective concept albums in rock history, the album was constructed by Kinks' frontman Ray Davies as the soundtrack to a subsequently cancelled Granada Television play. The album receiving almost unanimous acclaim upon its release. Rolling Stone 1969 - "Arthur is a masterpiece on every level, Ray Davies' finest hour. The Kinks' supreme achievement and the best British album of 1969".
On their tenth studio album, the 1991 originating band Fool's Garden, presents themselves as very mature and versatile. Their current album ''Rise and Fall'' offers a variety of songs, which not only show themselves very independently, but also maintain classic-timeless qualities in composition, interpretation and arrangement. ''This time we let a very special discipline prevail in writing the songs,'' says singer Peter Freudenthaler. A song could not be set aside until it was fully complete in its structure, so that it could later be recorded in our own studio. It was an audibly effective as well as creative work process with impressive results! The 14 melodious titles cover a wide range of styles. This can be seen in titles such as, the opulently arranged mid-tempo opus ''I Burn'' (reminiscent due to the falsetto chorus of a-ha or Coldplay), or there is the acoustic ballad Marie Marie, or the atmospheric, minimalist ''All We Are,'' which Freudenthaler dedicated to his son. And with the electronic vibe of ''Still Running,'' Fool's Garden taps into new terrain!
Borrowing heavily from Marc Bolan's glam rock and the future shock of A Clockwork Orange, David Bowie reached back to the heavy rock of The Man Who Sold the World for The Rise and Fall of Ziggy Stardust and the Spiders from Mars. Constructed as a loose concept album about an androgynous alien rock star named Ziggy Stardust, the story falls apart quickly, yet Bowie's fractured, paranoid lyrics are evocative of a decadent, decaying future, and the music echoes an apocalyptic, nuclear dread.
The Shadows have gotten a magnificent sendoff with this concert DVD from their final tour, undertaken in 2004 and featuring Hank Marvin, Bruce Welch, and Brian Bennett, supported by Mark Griffiths on bass and Cliff Hall on keyboards…
"The 500 Greatest Albums of All Time" is a 2003 special issue of American magazine Rolling Stone, and a related book published in 2005. The lists presented were compiled based on votes from selected rock musicians, critics, and industry figures, and predominantly feature British and American music from the 1960s and 1970s. From 2007 onwards, the magazine published similarly titled lists in other countries around the world.
The Shadows are usually thought of as the quintessential British instrumental group and, along with the American band the Ventures and the Swedish group the Spotnicks, one of the most popular instrumental groups in the world. But that barely tells the story of their true significance in the history of British rock & roll including the fact that they were the first home-grown British rock & roll band to dominate the U.K. charts; or that they weren't originally an instrumental group, either.