The Two of us

Film opens on December 18, 1999, just a few days before the dawn of the new century. A local reporter, Iron Idem, announces that the Martians have landed. Shortly after that his program loses its independence: he is given the script telling the crowds how to welcome the invaders. Then the chaos breaks out: the Martians and police mistreat the populace; things become violent. Idem's own wife is kidnapped and it seems somebody is trying to reduce his effectiveness as a reporter. Idem decides to fight back: he illegally broadcasts a message during the rock concert, but nobody believes him anymore.

Owning The Origins of Film three disc box set from Image is like having your own private museum of film history. Boasting hours of quality programming from the silent era as compiled and preserved by the Library of Congress Video Collection, this set celebrates some of the art form’s earliest and most significant movies, from the earliest films by both African American and female directors to a treasure trove of animation’s earliest days. Author Kevin Brownlow has called the silent era the richest period of cinema history, and one need look no further than The Origins of Film to confirm the validity of that statement. Before there was Spike Lee, there was Oscar Micheaux. Before there were Jane Campion or even Ida Lupino, there were Alice Guy-Blache and Lois Weber. And before there were Bugs Bunny and Mickey Mouse, there were Krazy Kat and the Katzenjammer Kids.

Wealthy Mexican Emilio Fernandez puts a million-dollar bounty on the head of Alfredo Garcia, who has seduced and knocked up Fernandez's daughter. Trouble is, Alfredo Garcia is already dead and buried. Barkeep Bennie (Warren Oates) is appointed by two of Fernandez's hit men (Robert Webber and Gig Young) to travel to the small town in whose cemetery Garcia is interred, planning to dig up the body and recover the head; along the way, he meets and falls for prostitute Elita (Isela Vega), who had become involved with Garcia. But these two fail to anticipate the arrival of fellow corpse-seekers, equally desperate to collect the bounty.

George and Martha are a middle aged married couple, whose charged relationship is defined by vitriolic verbal battles, which underlies what seems like an emotional dependence upon each other. This verbal abuse is fueled by an excessive consumption of alcohol. George being an associate History professor in a New Carthage university where Martha's father is the President adds an extra dimension to their relationship. Late one Saturday evening after a faculty mixer, Martha invites Nick and Honey, an ambitious young Biology professor new to the university and his mousy wife, over for a nightcap. As the evening progresses, Nick and Honey, plied with more alcohol, get caught up in George and Martha's games of needing to hurt each other and everyone around them. The ultimate abuse comes in the form of talk of George and Martha's unseen sixteen year old son, whose birthday is the following day.

In his controversial masterpiece The Great Dictator, Charlie Chaplin offers both a cutting caricature of Adolf Hitler and a sly tweaking of his own comic persona. Chaplin, in his first pure talkie, brings his sublime physicality to two roles: the cruel yet clownish “Tomainian” dictator and the kindly Jewish barber who is mistaken for him. Featuring Jack Oakie and Paulette Goddard in stellar supporting turns, The Great Dictator, boldly going after the fascist leader before the U.S.’s official entry into World War II, is an audacious amalgam of politics and slapstick that culminates in Chaplin’s famously impassioned speech.