Joanne Shaw Taylor embodies all the elements of modern blues, even if she sings with a distinctively British accent. Given her extraordinary dexterity as a guitarist and well-developed vocal chops, Taylor was already a sensation on the blues festival circuit in both the U.S. and Great Britain. Songs From The Road embodies the life and soul Taylor and band put into their music. It has the deep contrast of vibrancy and tenderness that sums up her career to date. It is a performance to be proud of.
BL!NDMAN’s approach to early music using modern instrumentation seeks to achieve a reformative transformation, rather than an exact imitation. For the past 20 years, BL!NDMAN has been constantly engaged in the search for a saxophone sound that throws new light on old music. Central to this is timbre, as is the way in which the tone can be consciously influenced by the whole body, even the voice box. This 7-CD set charts their extraordinary journey.
Cardboard sleeve reissue features remastering in 2013 and the high-fidelity Blu-spec CD2 format (compatible with standard CD players). Includes bonus tracks. Originally released in 1973 by the Soft Machine bassist shortly after the band had lost eccentric drummer/vocalist Robert Wyatt and had begun their evolution into a respectable (and somewhat predictable) jazz-rock ensemble, this was Hopper's attempt at something more experimental.
John R. Cash was an American singer, songwriter, musician, actor, and author. He was one of the most imposing and influential figures in post-World War II country music. With his deep, resonant baritone and spare percussive guitar, he had a basic, distinctive sound. Cash didn't sound like Nashville, nor did he sound like honky tonk or rock & roll. He created his own subgenre, falling halfway between the blunt emotional honesty of folk, the rebelliousness of rock & roll, and the world-weariness of country. This crossover appeal won Cash the rare honor of being inducted into the Country Music, Rock and Roll, and Gospel Music Halls of Fame. This box includes 20 original albums from 1958 to 1986: "The Fabulous Johnny Cash", "Hymns By Johnny Cash", "Songs of our Soil", "Now, there was a Song", "Ride this Train", "I Walk the Line", "Bitter Tears", "Orange Blossom Special", "Sings the ballads of the true West", "Everybody loves a Nut", "From sea to shining Sea", "At Folsom Prison", "At San Quentin", "Hello, I'm Johnny Cash", "The Johnny Cash Show", "A thing called Love", "John R. Cash", "One piece at a Time", "Johnny 99", and "Heroes".
Love broadened their scope into psychedelia on their sophomore effort, Arthur Lee's achingly melodic songwriting gifts reaching full flower. The six songs that comprised the first side of this album when it was first issued are a truly classic body of work, highlighted by the atomic blast of pre-punk rock "Seven & Seven Is" (their only hit single), the manic jazz tempos of "Stephanie Knows Who", and the enchanting "She Comes in Colors", perhaps Lee's best composition (and reportedly the inspiration for the Rolling Stones' "She's a Rainbow"). It's only half a great album, though; the seventh and final track, "Revelation", is a tedious 19-minute jam that keeps Da Capo from attaining truly classic status.