Zazí is a female trio from The Netherlands. Their music can be described as “eccentric pop/folk, with a tinge of French chanson and a jazzy edge”…
Cardboard sleeve reissue features remastering in 2013 and the high-fidelity Blu-spec CD2 format (compatible with standard CD players). Includes bonus tracks. Originally released in 1973 by the Soft Machine bassist shortly after the band had lost eccentric drummer/vocalist Robert Wyatt and had begun their evolution into a respectable (and somewhat predictable) jazz-rock ensemble, this was Hopper's attempt at something more experimental.
For a good portion of his solo career, John Fogerty refused to play any of his old Creedence Clearwater Revival songs – not because he hated them but because he was tied up in a nasty legal battle with Saul Zaentz, the head of his former record label Fantasy. After a few decades, Fogerty's position softened and he started playing the tunes in concert, then, after Concord purchased Fantasy in 2004, he celebrated CCR, first with a new hits compilation combining his old band and solo work, then eventually working his way around to Wrote a Song for Everyone, a 2013 album where he revisits many of his most popular songs with a little help from his superstar friends.
Agnetha Fältskog faded into a quiet retirement in the late '80s, resurfacing with an autobiography in 1996 and then a collection of covers, primarily standards, called My Colouring Book, a 2004 release loosely tied into the popularity of ABBA's jukebox musical Mama Mia. Despite these projects, she never pursued a full-fledged comeback, not until 2013 when she released A, a collection of new songs written and produced by Jörgen Elofsson, that received a major multinational push. Elofsson wrote hits for Britney Spears, including the fizzy early sensation "(You Drive Me) Crazy," but the touchstone for A is his masterwork of pageantry, "A Moment Like This," the song Kelly Clarkson sang at the conclusion of the first season of American Idol.
Joanne Shaw Taylor embodies all the elements of modern blues, even if she sings with a distinctively British accent. Given her extraordinary dexterity as a guitarist and well-developed vocal chops, Taylor was already a sensation on the blues festival circuit in both the U.S. and Great Britain. Songs From The Road embodies the life and soul Taylor and band put into their music. It has the deep contrast of vibrancy and tenderness that sums up her career to date. It is a performance to be proud of.