In the 1970s, Tom Waits combined a lyrical focus on desperate, low-life characters with a persona that seemed to embody the same lifestyle, which he sang about in a raspy, gravelly voice. From the '80s on, his work became increasingly theatrical as he moved into acting and composing…
This is the third full length album from Blue Moon Marquee. This record features a full band. Darcy Phillips on keys. James Hollywood Badger on drums, Jerry Cook on sax, Jack Garton on trumpet, Paul Pigat on guitar Jasmine Colette vocals and on bass, A.W. Cardinal vocals and guitar. Engineered/Co Produced by Erik Nielsen All songs recorded at Afterlife studios, Vancouver B.C.
Since Full Moon Fever was an unqualified commercial and critical success, perhaps it made sense that Tom Petty chose to follow its shiny formula when he reunited with the Heartbreakers for its follow-up, Into the Great Wide Open…
Longtime readers of Frontier Partisans know that Tom Russell is a giant in my pantheon of storytellers. His music has been the soundtrack for many an adventure down dusty desert roads and mountain trails, and he’s a key influence on my own songwriting and music. I learned to fingerpick because he said I should — and just as he promised, it opened new textures in both my playing and writing.
Grapefruit Moon: The Songs of Tom Waits is Southside's tribute to one of his favorite songwriters, but also a pet sound: big band music. The idea to marry the brassy, ballsy sound of a big band to Tom Waits' cinematic, character-driven songs has been sitting in the back of Southside's mind for sometime.
Southside Johnny Lyon has been fronting one of America's most consistently hard-rocking R&B show bands, Southside Johnny & the Asbury Jukes, for well over 30 years, so this album should come as something of a surprise to longtime fans - here Southside sings a dozen tunes from the songbook of Tom Waits alongside a jazzy, full-bodied big band led by Richie "LaBamba" Rosenberg, a longtime fixture in the Asbury Jukes horn section (and a member of Max Weinberg's band on Late Night with Conan O'Brien). While this is very much a change of pace, it's one that both Lyon and Rosenberg handle with confidence and aplomb; Lyon's voice shows a touch more grain than it did in his salad days with the Jukes, but his sense of phrasing and showman's touch is superb, and he brings swagger, heart, and sincerity to every performance here, and when Waits shows up for a duet on "Walk Away," the two trade lines as if they've been singing together for years…