Tracia

Jordi Savall is painting Monteverdi in the colours of the Mediterranean. The Catalan maestro has entrusted the title role of this foundational work of Western music to a remarkable baritone: the magnificent Marc Mauillon embodies Orfeo, his resonant and ductile voice in perfect unison with the conductor's musical vision. Here, a warm performance and rich sound reign supreme!

L’Orfeo by Claudio Monteverdi (1567–1643) is often described as the first true opera, with good reason: it is made up of five acts, has a large gallery of characters, a detailed orchestral score specifying some forty instruments and, like so many later operas, its libretto is based on a classical myth. Monteverdi’s work thus becomes a sort of matrix for the entire genre – with one exception: the narrative of this ‘tale in music’ is direct, succinct and to the point.

September 17, 2016 marked 50 years since the death of one of the worlds greatest tenors, Fritz Wunderlich. Blessed with a crystal-clear voice, exquisite diction and a natural lyricism, Wunderlichs DG recordings form a special chapter in the labels history.

The impressive discography of Handel operas and oratorios from Nicholas McGegan continues with this recording of Radamisto, made following staged performances of the opera at the 1993 Göttingen Handel Festival. Generally speaking, McGegan has derived better results in those sets using the Freiburg Baroque Orchestra (as here) than in those made with his Californian forces. The German players sustain his brisk tempi with relative ease, though McGegan’s penchant for spiky staccato and short, snatched phrases rather than long lines does not always do the music full justice. The stars are the countertenor Ralf Popken in the title role and Juliana Gondek as his long-suffering wife, Zenobia.