Trance 2020

Starting in the bebop era, the piano-bass-drums lineup has been the most classic jazz format in which the piano is featured, accumulating the weight of history and critical expectations. In this setting, a non-mainstream player such as Shipp can infiltrate Newport Jazz Festival, Jazz at Lincoln Center, the Museum of Modern Art in New York City, and other Establishment bastions in a familiar format and then unleash his ideas on audiences that might not normally be exposed to his style. Thanks to hearing it in the communal language of the piano trio, they can better understand the message the Matthew Shipp Trio has to deliver – “Mr. Shipp’s predilection for finding fertile ground between accessibility and abstraction,” as Larry Blumenfeld wrote in The Wall Street Journal.

Starting in the bebop era, the piano-bass-drums lineup has been the most classic jazz format in which the piano is featured, accumulating the weight of history and critical expectations. In this setting, a non-mainstream player such as Shipp can infiltrate Newport Jazz Festival, Jazz at Lincoln Center, the Museum of Modern Art in New York City, and other Establishment bastions in a familiar format and then unleash his ideas on audiences that might not normally be exposed to his style. Thanks to hearing it in the communal language of the piano trio, they can better understand the message the Matthew Shipp Trio has to deliver - "Mr. Shipp’s predilection for finding fertile ground between accessibility and abstraction," as Larry Blumenfeld wrote in The Wall Street Journal…

The Brooklyn-based artist explores various techniques of sound healing, drawing on ancestral knowledge from Japan.

Bing and Ruth, the ever-evolving project helmed by New York composer David Moore, release a new album. Entitled Species, the 7-track is a 49-minute record. While on a surface level, Species is an exploration of the sonic possibilities of the Farfisa organ, aided only by a clarinet and double bass (played respectively by founding members Jeremy Viner and Jeff Ratner), the title Species is a nod to both humanity and humility – a devotion to the godly intuition with which we are all endowed, and the humbleness required of us to perceive it. It’s also about suspended time and trance; not just a steady movement from A to B, but as something that flows, meanders and eddies, like water.

"Making the simple complicated is commonplace; making the complicated simple, awesomely simple, that's creativity."