Handel's Concerti Grossi opus 6 must surely be ranked as some of the greatest orchestral music ever composed. Probably penned in or around 1739, the pieces were developed to serve as orchestral "interludes" for other operatic or oratorio performances. To listen to them, however, is to tempt us not believe that this could possibly be the case: the Concerti Grossi opus 6 works are without doubt among the pinnacle of Baroque composition. After listening to these, we are left with a distinct sadness that Handel did not turn his attention more to this genre, as his masterful treatment in the opus 6 shows us his true genius.
This two-disc package from Emmanuel Pahud explores the music performed at the court of King Frederick the Great of Prussia. Frederick was an accomplished amateur flutist, and, thus, cultivated music for his instrument from the best composers of his day. This included Johann Sebastian Bach, Carl Philipp Emanuel Bach, and Johann Joachim Quantz. Frederick himself and his sister Anna Amalia also composed works featuring the flute. Pahud chose selections by each of these composers, filling the first disc with concertos and the second with chamber pieces and solos. These pieces span the period between the Baroque and Classical eras, but in general even Frederick's and C.P.E. Bach's sonatas have more in common with the former than the latter. They still employ the basso continuo accompaniment, however, all of it is very charming and agreeable, as much of the music of that era is.]
The English Concert directed by the great Trevor Pinnock presents these three beautiful concerts of J. S. Bach where we can admire the contrapuntal genius of the great German genius. Excellent execution, great musicality and excellent sound, obviously. Listen to interpretations of Simon Standage on violin, David Reichenberg in oboe and Lisa Beznosiuk in the flute, surround us in the musical depth of these beautiful compositions. A real pleasure.
As if Mr. Bungle and at least a half-dozen more other projects were not enough, avant-bassist Trevor Dunn now leads his own Trio Convulsant. This group mixes moody jazz with convulsive rock. Also in the trio is guitarist Adam Levy (Dan Hicks, Tracy Chapman, the Hot Club of San Francisco, etc.) and drummer Kenny Wollesen. This is a good album for people who like King Crimson and free jazz, for this album lies at the meeting point of hard, progressive rock and tough, jazz experimentalism.