When you think of the Italian Renaissance, chances are you think of what it gave us. The extraordinary sculptures of Michelangelo. The incomparable paintings of Leonardo da Vinci. The immortal written works of Petrarch and Machiavelli.
But have you ever wondered why there was such an artistic, cultural and intellectual explosion in Italy at the start of the 14th century?
Why did it occur in Italy and not another part of Europe, and why did it happen in certain Italian city-states, such as Florence?
Why did it ultimately fail in the middle of the 16th century?
While an insightful understanding of different economic approaches has always been essential for policymakers, it is equally important for those of us who might not steer the economy but must still live and function within it. In the 24 lectures of Why Economies Rise or Fall, Professor Peter Rodriguez of the University of Virginia guides you through a stimulating and, above all, accessible examination of what economists know and don't know about this elusive search for economic prosperity.
At its peak in the early 20th century, Britain's empire was the largest in the history of the world, greater even than that of ancient Rome. It embraced more than a fourth of the world's population and affected the course of Western civilization in ways almost too numerous to imagine. Even today, with the advantages of historical perspective and hindsight, it is still nearly impossible to overstate the scope and importance of its stunning legacy. This teaching course will give you a refreshing new understanding of what made the British Empire both great in its achievements and vulnerable to its eventual downfall.
Keats compared discovering Homer to "finding a new planet."
* What is it in Homer's great works—and especially the Odyssey—that so enthralled him?
* Why have readers before and since reacted the same way?
By joining award-winning classics professor Elizabeth Vandiver for these lectures on the Odyssey, you can get answers to these and hundreds of other questions.
Of all the world's great art museums, the National Gallery, London is the only place where you can truly grasp the breathtaking scope of European painting between 1200 and 1900.
Established in 1824, the National Gallery was commissioned as the people's museum—a cultural institution meant to reflect the artistic legacy both of Great Britain and of the European continent. Inside its halls are more than 2,500 European paintings by some of Western civilization's greatest masters, including Titian, Rubens, and Rembrandt.