Tubeway+army

Named after a lyric from Magazine’s ground-breaking hit, ‘Shot By Both Sides’, TO THE OUTSIDE OF EVERYTHING tells a musical story of how the UK’s post-punk scene evolved from the spirit of 1977 and the arrival of key labels such as Fast, Rough Trade, Zoo, Factory and Cherry Red.

In the late seventies, every other episode of Tomorrow’s World seemed to feature the futuristic ‘synthesiser’, a mass of patchboards, knobs and wires which was all set to make orchestras redundant around the world. But the singles chart was largely immune to the synth - with the honourable exceptions of Hot Butter’s Popcorn and Kraftwerk's Autobahn - until the watershed year of 1979. Then, Tubeway Army’s Are Friends Electric stormed to number one with its blend of bleak sci-fi, European cine-drama, and the heavy, ominous noise coming from machines labelled Roland, Arp and Moog…

Although Druid's future seemed promising, the band failed to record more than two albums, leaving only 1975's Toward the Sun and 1976's Fluid Druid to their name. In 1995, BGO packaged both albums as a two-disc set, saving fans the hassle of locating each album separately. Druid is guided by lead vocalist Dane, who harbors a voice that is both high and sharp, but manages to customize it with the surrounding instruments. Both albums contain lush, relaxing harmonies with simple articulation and a free flowing folk-infused style that's illuminated by the keyboard and Mellotron applications. With parallels arising to that of Yes in Druid's musical composition, the songwriting isn't as intricate or as sensational, but it is delicately poetic and even romantic at times…

Grace Jones - Nightclubbing (1981) [2CD] {2014 Island Deluxe Edition}
EAC rip (secure mode) | FLAC (image)+CUE+LOG -> 798 Mb | MP3 @320 -> 267 Mb
Full Artwork @ 600 dpi (png) -> 359 Mb | 5% repair rar
© 2014 Island Def Jam / Universal | 0600753480601
Synth Pop / New Wave / Disco / Funk / Dub

In a career of myriad highlights 'Nightclubbing' remains the high water mark of Grace Jones's imperial years with Island Records. It is indisputably the album on which her musical legacy rests, and rightly considered one of the greatest albums of all time. A sophisticated melee of sound, blending post-punk cool with a hot Caribbean vibe and a catwalk Studio 54 sensibility, it's a perfect example of artist and musicians working in complete accord. It contains the all-time Grace classics in 'Pull Up To The Bumper', 'Walking In The Rain', 'Demolition Man' (written by Sting) and of course the Bowie / Iggy Pop-penned title track. There is magic in its every groove.