Twilight Eclipse

With this recording the acclaimed ensemble Le Nuove Musiche, led by director Krijn Koetsveld, have at last completed a monumental undertaking nearly a decade in the making: the complete cycle of Claudio Monteverdi’s books of madrigals. Fittingly, the last instalment in this series is the final Ninth Book (Libro IX), which was published posthumously in 1651 and looks back on the breadth of the composer’s career with lighter pieces in the established forms of his day (prima prattica), in Monteverdi’s own innovative style (seconda prattica), and in a new genre that had begun to eclipse the madrigal in Monteverdi’s twilight years.

Born in 1964 in Chiswick, England, the only son of a world-famous guitar legend, Juergen Richard “J.R.” Blackmore began his musical career in Germany. When he was just five years old, his parents separated and J.R. left the United Kingdom together with his mother to live in her birthplace Hamburg. It was the early years of modern-day Hamburg, which had seen legends to be like The Beatles play in the Star-Club before their heyday. Just like his father, Ritchie Blackmore, who made a name for himself and later became world-famous as a founding member of Deep Purple and later Rainbow. If you were going to be somebody in the music business, Hamburg was the place to be and was a gateway into stardom for a plethora of bands…

It's a tall order to compile the best classical music of the twentieth century, but EMI has selected its top 100 classics for this six-disc set, and it's difficult to argue with most of the choices. Without taking sides in the great ideological debates of the modern era – traditionalist vs. avant-garde, tonal vs. atonal, styles vs. schools, and so on – the label has picked the composers whose reputations seem most secure at the turn of the twenty-first century and has chosen representative excerpts of their music. Certainly, the titans of modernism are here, such as Igor Stravinsky, Arnold Schoenberg, Béla Bartók, Dmitry Shostakovich, Sergey Prokofiev, Claude Debussy, and Benjamin Britten, to name just a few masters, but they don't cast such a large shadow that they eclipse either their more backward-looking predecessors or their more experimental successors.