Tyrannosaurus Rex's fourth album, A Beard of Stars, was the turning point where Marc Bolan began evolving from an unrepentant hippie into the full-on swaggering rock star he would be within a couple of years, though for those not familiar with his previous work, it still sounds like the work of a man with his mind plugged into the age of lysergic enchantment. "A Daye Laye," "Pavilions of Sun," and the title tune sure sound like the writings of an agreeably addled flower child, and Bolan's vocals are playfully mannered in a manner that suits his loopy poetry. However, after shunning the corrupting influences of electric guitars on Tyrannosaurus Rex's early recordings, A Beard of Stars finds Bolan plugging in as he turns on, and he sounds like he's clearly enjoying it; the wah-wah solo that closes "Pavilions of Sun" demonstrates how just a little electricity gave this music a new lease on life…
Before T. Rex assaulted the world with their glam rock party in the early '70s, there was the folk duo Tyrannosaurus Rex. Although both bands were fronted by flamboyant singer/guitarist/songwriter Marc Bolan, the earlier outfit was the polar opposite of the style of music that would later become synonymous with Bolan. Tyrannosaurus Rex originally formed in September of 1967 as a duo after Bolan split from his previous band, John's Children. Joining Bolan in the band was percussionist/bongo player Steve Peregrin Took, a gentleman that Bolan named after a character in The Lord of the Rings novel series. Bolan was so infatuated with Rings that most of the subject matter in Tyrannosaurus Rex songs came directly from the books as well.
Tyrannosaurus Rex's fourth album, A Beard of Stars, was the turning point where Marc Bolan began evolving from an unrepentant hippie into the full-on swaggering rock star he would be within a couple of years, though for those not familiar with his previous work, it still sounds like the work of a man with his mind plugged into the age of lysergic enchantment…
Although it has been completely overshadowed by the "official" CD and DVD versions of Marc Bolan's epochal rock and fantasy movie, this original attempt to re-create the soundtrack is nevertheless a worthwhile package. It targets not the full-blown glory of the film, with its dramatic in-concert centerpiece, but rather an overview of memorable moments - the string-powered "Children of the Revolution" that closes the album, the Mad Hatter-style "Tea Party," Bolan and Ringo Starr's madcap "Some People Like to Rock" routine, and so on. Of course, there is plenty of live material here, and the band sounds great - this was T. Rex at the peak of their powers, and while there are better-quality recordings out there, none recapture the sheer magic of the occasion like this one. Again, if you own (or intend to pick up) the CD soundtrack, you have no need to hunt this down as well…
Tyrannosaurus Rex's transformation from oracles of U.K. hippie culture to boogie-friendly rock stars began with the album A Beard of Stars, released in early 1970 when the band picked up electric instruments, and by the time the year was out, Marc Bolan had pared their name down to the more user-friendly T. Rex and dropped their first album with the new moniker. Oddly enough, while the songs on T. Rex bear a much stronger melodic and lyrical resemblance to what would make the band famous on Electric Warrior in 1971, the tone of the album is a bit more pastoral than A Beard of Stars; on most of the tunes, the electric guitars are more successfully integrated into the arrangements so they lack the jarring immediacy of "Elemental Children" or "Pavilions of the Sun," and Mickey Finn still wasn't using a full drum kit, so the tunes don't quite have the kick of a full-on rock band…
Initially a British folk-rock combo called Tyrannosaurus Rex, T. Rex was the primary force in glam rock, thanks to the creative direction of guitarist/vocalist Marc Bolan (born Marc Feld). Bolan created a deliberately trashy form of rock & roll that was proud of its own disposability…
All eight original T. Rex studio albums, plus two bonus CD of non-album tracks, in card wallets in a box, with a 16 page booklet. Recorded between 1970 and 1977, Marc Bolan’s best-known favourites are included, including “Get It On”, “Metal Guru”, “Telegram Sam”, “Children Of The Revolution” and “20th Century Boy” are included…
Marc Bolan and T. Rex performed many times for a variety of radio broadcasts. Across the Airwaves is a compilation of these performances, recorded and broadcast circa 1968-71. This is easily one of the best T. Rex titles out there, yet it's becoming increasingly hard to find. The disc features acoustic, electric, and electric-acoustic performances of some of Bolan's best compositions – not all well-known hits, but excellent just the same…
The first (but certainly not the last) of the compilations issued in the wake of T. Rex's U.K. chart breakthrough, Bolan Boogie was also many of the band's new fans' first chance to acquaint themselves with all that Marc Bolan had done in the past – a point which the compilers certainly kept in mind. The catalog at their disposal was vast, reaching back to the acoustic birth of Tyrannosaurus Rex. Sensibly, however, Bolan Boogie concentrates on the material that lived up its title – aside from one cut drawn from 1969's Unicorn, the entire album dated from the arrival of Mickey Finn, and the attendant headlong dive into electricity launched by the Beard of Stars album, and culminating with the epochal Electric Warrior album. Some incontrovertible classics emerge.
Before T. Rex assaulted the world with their glam rock party in the early '70s, there was the folk duo Tyrannosaurus Rex. Although both bands were fronted by flamboyant singer/guitarist/songwriter Marc Bolan, the earlier outfit was the polar opposite of the style of music that would later become synonymous with Bolan. Tyrannosaurus Rex originally formed in September of 1967 as a duo after Bolan split from his previous band, John's Children. Joining Bolan in the band was percussionist/bongo player Steve Peregrin Took, a gentleman that Bolan named after a character in The Lord of the Rings novel series. Bolan was so infatuated with Rings that most of the subject matter in Tyrannosaurus Rex songs came directly from the books as well.