Unplugged Dvd

But I have for a very long time liked what Eric Clapton liked, the Delta Blues, and in particular Robert Johnson, the Delta bluesman who would be more myth than fact if it were not for the incomparable legacy of recordings we were lucky enough to be left to posterity. So it was therefore with some trepidation (and the faint hope that I might actually like it) that I came to hear 2004's Me and Mr. Johnson (Reprise, 2004). Call me prejudiced, but I was right. Immaculately recorded, perfectly played, I hated it.

Joe Bonamassa - Tour de Force. Live in London. Royal Albert Hall (2013) [DVD+Bonus DVD] {Mascot Music}
2xDVD -> 10.3 Gb | All Regions | NTSC 16:9 | Dolby AC3, 2 ch / Dolby AC3, 6 ch / DTS, 5 ch | ~ 153m | ISO Images
Full Artwork @ 600 dpi (jpg) -> 158 Mb | 5% repair rar
© 2013 Mascot Music / Provogue Music | PRD 7424 7
Rock / Blues Rock / Guitar

Collectable Series: 4 of 4 with extended booklet includes backstage photos and 3D photos + glasses. Live DVD documenting Bonamassa’s 4 unique shows in London at the Borderline, Shepherd’s Bush Empire, Hammersmith Apollo and Royal Albert Hall in March 2013 will be released in October 29th. The DVDs will be called "Tour de Force: Live In London". Every show will be sold separately.

David Bowie - VH1 Storytellers (2009) [CD + DVD] {EMI Records}
EAC rip (secure mode) | FLAC+CUE+LOG -> 284 Mb | MP3 @320 -> 106 Mb
DVD-5 -> 4,02 Gb | All Regions | NTSC 4:3 | Dolby AC3/2ch/6ch + DTS | 64:07 | Subs: Eng,Fr,De,Ne,It,Es,Po,Jap | ISO Image
Full Artwork @ 400 dpi (jpg) -> 72 Mb
© 2009 EMI Records / Abbey Road | 50999964990921
Rock / Contemporary Pop / Experimental Rock / Art Rock

VH1's sadly short-lived series Storytellers was ideal for an old charmer like David Bowie, giving him an intimate platform to spin stories both old and new. When he appeared on the show on August 23, 1999, he was a few months away from releasing Hours…, an album where he comfortably came to terms with his past, so it fits that he's looking back fondly here, telling stories about the Mannish Boys and Iggy Pop, sliding the new tunes "Thursday's Child" and "Seven" in between "Life on Mars?" and "Drive-In Saturday," plus "Can't Help Thinking About Me," a single he released with the Lower Third in 1965.

He has sold 14 million records worldwide and has released 10 studio albums as well as a few compilation albums which have included his previous hits in a reworked format…

On The Blue Room, her second Decca recording, Madeleine Peyroux and producer Larry Klein re-examine the influence of Ray Charles' revolutionary 1962 date, Modern Sounds in Country and Western Music. They don't try to re-create the album, but remake some of its songs and include others by composers whose work would benefit from the genre-blurring treatment Charles pioneered. Bassist David Pilch, drummer Jay Bellerose, guitarist Dean Parks, and pianist/organist Larry Goldings are the perfect collaborators. Most these ten tracks feature string arrangements by Vince Mendoza. Five tunes here are reinterpretations of Charles' from MSICAWM. "Take These Chains" commences as a sultry jazz tune, and in Peyroux's vocal, there is no supplication – only a demand. Parks' pedal steel moves between sounding like itself and a clarinet. Goldings' alternating B-3 and Rhodes piano offer wonderful color contrast and make it swing. Her take on "Bye Bye Love" feels as if it's being narrated to a confidante, and juxtaposes early Western swing with a bluesy stroll. A rock guitar introduces "I Can't Stop Loving You," but Peyroux's phrasing has more country-blues in it than we've heard from her before. The use of a trumpet in "Born to Lose" and "You Don't Know Me," with Mendoza's dreamy strings, allow for Peyroux to deliver her most stylized jazz performances on the set.

This is a video that shows you how to use a truck spring and easily constructed forge to make a really great, full tang camp knife for chopping wood, notching sticks, cutting rope, etc. …
This is all done without electricity from easily gathered materials…

This collection brings together unplugged and acoustic-based performances recorded over the past 20+ years, including rare and unreleased studio and live recordings, acoustic demos, concert videos, interviews and more.

As a fan of Nirvana's work for the last 20 years, "Live and Loud" at Seattle's Pier 48 has always been, for me and many others, a show held in very high esteem. MTV had broadcast 40 minutes of this show fairly regularly in the mid to late 90s, and this footage showed a band at the height of their powers - self-destructive, charismatic and angry. With the internet, fans began to discover that Nirvana had actually performed a far longer set than was originally broadcast.