…Ridiculousness is much harder to stomach in words than it is in music, but the nice thing about Day & Age is that not only is Flowers' voice relatively buried, The Killers are unwittingly comfortable with their ludicrous, outsized pop, which turns the album into terrifically trashy pop. Not the serious rock they yearn to be by any means, but these fashionable threads fit them better anyway.
This collection of 200 of the most influential music videos in Britain 1966 to 2016 is the result of a three-year University research project run in partnership with the British Film Institute and the British Library. The collection has been put together by a team of researchers in collaboration with a panel of over one hundred directors, producers, cinematographers, editors, choreographers, colourists and video commissioners from the business. Each video has been selected because it represents a landmark in music video history - a new genre, film technique, post-production method, distribution channel, or other landmark…
“This record being the third in a trilogy of song collections mostly based on film music I wrote for Spike Lee over the past few years, I wanted to move to some new stylistic places and maybe make a more upbeat record overall. We don’t get a ballad until #7, the pandemic shut-down era piece “Days Ahead” ( a duet with Danielle Haim). Lyrically the record is dotted with three Covid-related songs; the aforementioned, “Tag” and the album opener “Sidelines” (a duet with Ezra Koenig of Vampire Weekend), and otherwise ranges far afield with the world of science again a recurring influence (“Lidar” and “Point Omega”). The record also includes the first cover song I’ve ever put on a studio release, a total re-
imagining of Chuck Berry’s “Too Much Monkey Business.” The album title 'Flicted relates to this strange time in which we live, when the world is basically, well, ‘flicted!”