…but Nightflight to Venus is an overall success thanks to the group's strong harmonies and the slick production from Farian, which keeps everything moving at a fast clip. The end result is one of the strongest albums in the Boney M. catalog, and a treat for anyone who likes dance music that is sugary sweet.
The original 13 track #1 album, remastered at Abbey Road Studios in London; 14 bonus audio tracks (including the hit single ‘Junior’s Farm’); DVD featuring previously unreleased and exclusive content, including footage of the band in New Orleans and rehearsing the songs from Venus and Mars at Elstree Studios, and the original TV commercial for the album, directed by Karel Reisz; All set within a 128 page hardbound book containing memorabilia, many previously unpublished images by Linda McCartney and Aubrey Powell, album and single artwork and a full history of the album, including a new interview with Paul McCartney and expanded track by track information.
It's obvious from the greasy opening blues vibe in "Exodus of Venus," the title track of Elizabeth Cook's first album in six years, that something is very different. Produced by guitarist Dexter Green, this set is heavier, darker, and harder than anything she's released before. Its 11 songs are performed by a crack band that includes bassist Willie Weeks, drummer Matt Chamberlain, keyboardist Ralph Lofton, and lap steel guitarist Jesse Aycock. The tunes are drenched in swampy electric blues, psychedelic Americana, gritty R&B, and post-outlaw country. Cook has been tried by fire these past few years. She's endured six deaths – including her parents – a divorce, a stint in rehab, and more. It slowed her writing to a crawl. Exodus of Venus is her way of telling that story, and as such, its songs often stray from the narrative storyteller's manner she's previously employed in favor of a more jarring poetic style that still communicates directly.
Three albums in the novelty has worn off, but Dengue Fever has smartly chosen to keep evolving. While that means their unquestionably unique offering no longer startles, it's no less riveting – Venus on Earth is at once the band's most accessible and most varied release. A recap: when first heard from in 2003 on their self-titled debut, Dengue Fever was like no other band, a bunch of L.A. hipsters fronted by a Cambodian-born woman, Chhom Nimol, who paid homage to that Asian nation's pre-Pol Pot cheesy psychedelic-cum-lounge-surf-garage pop sound of the '60s/early '70s, music obscure enough that only a tiny handful of Americans could honestly claim to have known the first thing about it – certainly, the source material spun outside of the orbit of the so-called core world music audience.