Viertel

Every once in a while, an awesome recording of a difficult and complex Mahler symphony shows up right out of left field. This is one of them.

DICE fans can look forward to six new long tracks that combine with the usual tricky rhythms, catchy melodies and catchy choruses even with the brilliant guitar work from Peter Viertel as trademarks. Saxophonist / flutist Jens Lübeck finished the songs with his imaginative play. On their 17. Band album since founding in 1974, DICE songs flow - DICE songs groove. They again have compositions beyond the 10-minute limit.

The Glenn Gould Complete Jacket Collection" is presented to mark the brilliant pianist's 75th birthday and the 25th anniversary of his death. It is a fascinating, limited edition: all the artist's LP recordings in the "look and feel" of the original vinyl discs on 80 CDs.
The Canadian Glenn Gould (born in Toronto 25 September 1932 - died there 4 October 1982) was without doubt one of the most important pianists of all time. Even today, the idiosyncratic interpretations and the eccentric personality of the "James Dean of the piano" exert a continuing fascination.

When this cycle of the symphonies of Shostakovich with Dmitri Kitajenko conducting the Gürzenich-Orchester Köln was released in 2005, Shostakovich cycles were no longer the novelties they had been in the latter years of the twentieth century. There were already several superlative cycles in circulation – the monumental Kondrashin, the modernist Rozhdestvensky, the anguished Barshai – and a pair of superlative cycles nearing completion – the commanding Jansons and the compelling Gergiev – when the Kitajenko – Köln cycle was issued on Capriccio in superaudio sound…

Hindemith - Violin Concerto & Sonatas - Frank Peter Zimmermann (2013) {BIS-2024}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 294 Mb | MP3 @320 -> 160 Mb
Full Artwork @ 300 dpi (png) -> 132 Mb | 5% repair rar
© 2013 BIS Records | BIS-202
Classical / Early 20th Century / Chamber Music / Concerto

The music of Paul Hindemith can't be called crowd-pleasing. Even the overtly radical works of Schoenberg and Webern carried well-defined innovations that listeners might be excited by or reject, but with Hindemith there's always the sense that he is experimenting with the solution to a new problem each time out. Of course, this can just as easily be a stimulating challenge as a problem, and this collection of works for a single instrument from across Hindemith's career provides a good way into his music.