A secret society, a clandestine community, mythical rituals in dark temples. The image of the Freemasons is surrounded by the mystic mists of the unknown. When it comes to their music, one should by no means think of Hans Zimmer's epoch-making soundtracks to the Hollywood movies based on Dan Brown's novels! Vocal Concert Dresden has turned to the authentic music of Freemasonry.
A good way of getting to know the legacy of St. Louis is to visit his chapel in Paris, full as it is of stained glass of the 13th century. On a bright day as we experienced two years ago, Saint Chapelle is glorious and one is reminded, as in the Chronicles of the Crusades by de Joinville that he was a truly loved and devout man who has become a saint. His feast day is on 25 August, the very day by chance, we visited the chapel which acts as his shrine. The glass glorifies the Crown of Thorns and the True Cross which St. Louis had purchased — although the chronicles indicate that the King of Constantinople gave them — from the Holy Land and which were placed in a reliquary. On this disc the sequence Regis et Pontificis (tr. 22) celebrates the event.
Dietrich Buxtehude: Vocal Music, Vol. 1, was the start of an intended series on the Dacapo label of Denmark begun in 1996 and this was the only volume issued. It features Emma Kirkby with John Holloway and Manfred Kraemer on violins, Jaap ter Linden on viola da gamba, and Lars Ulrik Mortensen on organ. Although Buxtehude's Membra Jesu Nostri is rightly considered one of the great choral masterworks of the Baroque era, his other vocal output – numbering more than 120 works – seems to have a problem gaining the same kind of traction in the repertoire that his organ music has long enjoyed, even though plenty of it has been recorded.