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The turn of the first millennium was experienced by people of that time not with fear that the world was coming to an end, but rather with hope that the world would be renewed, as 'the promise of a new Spring'. Thus, Christ's Passion came to symbolise the resurrection of the Church; a great reformation began. Seen in that context the lyric poem La Passion de Clermont takes on its full meaning. Brice Duisit performs vocals and vièle à archet.

Zëss had long been plagued by its incompleteness and its recording was deferred for years. Four decades after its first draft, the work has finally been recorded in an orchestral version that gives it both its true dreamlike dimension and its transcending power. For Zëss is above all the visionary reflection of an immemorial dream haunting the most obscure part of our souls. Zëss treads a line between a vital overflowing and the edges of the unlivable. It is an incandescent and heady oratorio where consciousness questions its other side in a measureless journey. Zëss indicates the ultimate reversal out of which bursts a beyond of music that only music can reach. Magma’s whole story condensed…

Seven-and-a-half thousand kilometres of cold ocean separate West Africa from Haiti. But music can cover that distance in a heartbeat, crossing the Atlantic to reunite the rhythms and religion of people torn from their homes to be sold into slavery on the Caribbean island. And on its self-titled album, the Afro-Haitian Experimental Orchestra honours those ghosts of the past even as it walks steadfastly and hopefully into the future.

Guns N' Roses - Live Era '87-'93 is a four record live album by Guns N' Roses, released on November 23, 1999. The album was the first official Guns N' Roses release since "The Spaghetti Incident?" released on the same day in 1993. Former guitarist Slash notes that the album is "not pretty and there are a lot of mistakes, but this is Guns N' Roses, not the fucking Mahavishnu Orchestra. It's as honest as it gets." The dates and locations of the tracks are not revealed in the liner notes, and are only referred to simply as being "Recorded across the universe between 1987 and 1993". However, the majority of the tracks on the four records are sourced from the extensive Use Your Illusion Tour of 1991-1993. Only two tracks come from 1988 live recordings - "Used to Love Her" and "You're Crazy".

French band OPHIUCUS was formed back in 1971, consisting of brothers Alain and Bernard Labacci, Jean-Pierre Pouret and Michel Bonnecarrere. This quartet opted to have their base of operations in the small town of Flagy, where they wrote material that was deemed interesting enough to land them a deal with Barclay Records. Their debut album Ophiucus was issued the same year, but a planned English version of this album was shelved. These alternate language versions would later surface as bonus tracks on reissues.

There's an old saying that one is only as good as the people with whom one collaborates. Judging by the list of musical contributors to Hector Zazou's Sahara Blue, Zazou is quite good indeed. Among many others, those adding their own touch to Zazou's album include Bill Laswell, Dead Can Dance, John Cale, David Sylvian, Ryuichi Sakamoto, and Tim Simenon. Zazou devised the album as a mix of musical styles set to lyrics/vocals taken from the pen of Arthur Rimbaud. While it might appear like a pretentious undertaking on paper, the album is a cohesive slice of eclectic music-making. Jazzy spoken word songs such as "Ophelie" intermingle with throbbing dance-oriented numbers like "I'll Strangle You" and quiet, peaceful piano-based meditations such as "Harar et les Gallas." Dead Can Dance duo Brendan Perry and Lisa Gerrard work their particular magic on "Youth," exchanging vocals, and on "Black Stream," where Perry's dark, somber synth weeps around Gerrard's stunning vocals and yang chin. Zazou himself mostly stays in the background, providing production and electronic sounds, allowing the players to showcase their abilities.