wB Music

Excellent addition to any rock music collection.
The title Heavy Metal is somewhat misleading. Sure, this terrific soundtrack from the 1981 animated cult favorite features heavy metal and hard rock numbers.

Mstislav Rostropovich - Brahms - Cello Sonata No. 2 & Works by Popper, Debussy & Scriabin (2017) (Warner Classics)
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 206 Mb | MP3 @320 -> 103 Mb
Full Artwork @ 300 dpi (png) -> 49 Mb | 5% repair rar
© 1957, 2017 Parlophone Records / Warner Classics | 0190295892296
Classical / Romantic / 20th Century Classical / Cello

This key title is being reissued at a special price as part of the celebration of Rostropovich - "Cellist of the Century". Mstislav Leopoldovich Rostropovich was born in Baku, USSR on March 27, 1927. His first name means "avenged glory"; he is familiarly known by the root of the name, "Slava," which means "glory." His father, Leopold, was an excellent cellist, and after 1931, a teacher at the Gnesin Institute, Moscow after attending the Moscow Conservatory. Slava's mother was an accomplished pianist. The family moved to Moscow in 1931; Slava had already begun cello studies with his father and continued them there. His first public appearance was at eight years of age. In 1939, he entered the Central Music School, studying there until 1941.

Everybody knows that Black Sabbath's legacy rests on their first four albums – after that, they lost their luster, or more precisely their mythic power. At their peak, which is how they are remembered, Sabbath were all about myth and power. Their very name had an ominous resonance, capturing their murky, foreboding sound perfectly…

It is not often that one is lucky enough to directly observe the creation of unique beauty, perfect craftsmanship, absolute passion and profound dedication. I recently had the wonderful opportunity to experience these with the creation of “Lexposure”, in Cologne at the end of August 2020. This took place in the legendary, state-of-the-art “Riverside Studios”, under the auspices of the producer Ralf Kemper, who actively and artistically directed the entire technical recording at the mixing desk. Thus it came about that the best technology and the best musical skills came together here at one of the most high profile studio locations in the world. With ingenious talents on all of these different levels, it was inevitable that something uniquely beautiful was created.

This record is an unexpected treat. Bob James has had a lucrative career writing and playing crossover jazz/pop. Although he had actually started his career with a straight-ahead trio date for Mercury in 1962 and also led a bizarre avant-garde session for ESP in 1965, his career since 1974 has offered very little of interest to consumers who prefer to hear inventive jazz as opposed to pleasant background music. But for this session, James returned to the roots few knew he had. Playing in an acoustic trio with bassist Christian McBride and drummer Brian Blade, James contributes five straightforward originals in addition to the standard "Lost April," and interprets tunes by Pat Metheny/Lyle Mays, Horace Silver ("The Jody Grind"), and Denny Zeitlin. While not hinting at all at his usual pop material, James plays quite well, takes plenty of chances, and sounds influenced a bit by Bill Evans. With McBride and Blade contributing consistently stimulating interplay, Bob James has recorded what is certainly the finest jazz album of his career.