wB Music

Excellent addition to any rock music collection.
The title Heavy Metal is somewhat misleading. Sure, this terrific soundtrack from the 1981 animated cult favorite features heavy metal and hard rock numbers.

This record is an unexpected treat. Bob James has had a lucrative career writing and playing crossover jazz/pop. Although he had actually started his career with a straight-ahead trio date for Mercury in 1962 and also led a bizarre avant-garde session for ESP in 1965, his career since 1974 has offered very little of interest to consumers who prefer to hear inventive jazz as opposed to pleasant background music. But for this session, James returned to the roots few knew he had. Playing in an acoustic trio with bassist Christian McBride and drummer Brian Blade, James contributes five straightforward originals in addition to the standard "Lost April," and interprets tunes by Pat Metheny/Lyle Mays, Horace Silver ("The Jody Grind"), and Denny Zeitlin. While not hinting at all at his usual pop material, James plays quite well, takes plenty of chances, and sounds influenced a bit by Bill Evans. With McBride and Blade contributing consistently stimulating interplay, Bob James has recorded what is certainly the finest jazz album of his career.

Dido - Life For Rent
EAC+LOG+CUE | FLAC: 331 MB | Full Artwork: 66 MB | 5% Recovery Info
Label/Cat#: Arista # 82876545982 | Country/Year: Europe 2003
Genre: Electronic, Pop | Style: Downtempo, Vocal, Ballad

"…The appeal of Life for Rent is what makes Dido appealing – she's unassuming and gentle, but her songs are so melodic and atmospheric they easily work their way into the subconscious, and the records are well-crafted enough to be engaging on repeated plays. So, Life for Rent isn't much different than its predecessor, but that's a very good thing in this case."

It was about this time in his career that one sensed David Sanborn was getting a bit tired of the formula he was using on his records. However, his great popularity kept him from changing direction much. As usual, the highly influential altoist blows his heart out over a lot of funky rhythms on As We Speak, but surprisingly, he switches to his less notable soprano on four of the nine tunes. Bassist Marcus Miller is a key force in the background, leading the expanded rhythm sections through some pop-oriented material.

With just his piano, his tunes, and several duet partners on Dancing on the Water, Bob James's deftness with a hook is unmistakable. His smooth-jazz group Fourplay could easily buff up "Hum Drum" and "Bogie's Boogie" into bona fide hits. On the duets with pianists Joe Sample and Keiko Matsui, James submerges his style to go inside the musical worlds of his partners. He probably wrote "Altair & Vega" and "Duo Oto Subito" for the Japanese dynamo, as it is sometimes difficult to tell on these Asian-flavored tunes where Matsui ends and James begins. Even if Sample and James weren't set on each side of the mix, it's easy to tell who's who, because Sample's rhythmic playing and solo style are unique and dominating. James does his best soloing on the duets with bassist supreme Dave Holland, including a great reading of "Last Night When We Were Young."