Wah Pedal

By 1968, Waters was no longer reaching black audiences, who were mostly listening to soul music by that time, and he also wasn't selling records to more than a relatively small cult of white blues enthusiasts. Meanwhile, the Rolling Stones, Jimi Hendrix, and Cream were selling millions of records each using licks and sometimes songs learned from Waters. Previously, in 1966, Chess Records had recorded Waters' Brass and the Blues, trying to make him sound like B.B. King, and this time Leonard Chess' son Marshall conceived Electric Mud as a way for Waters to reach out to the Rolling Stones/Hendrix/Cream audience. Recorded in May of 1968, Electric Mud features Waters in excellent vocal form, running through new versions of old songs such as "I Just Want to Make Love to You," "She's Alright," "Hoochie Coochie Man," "Mannish Boy," and "The Same Thing"…

Live at Montreux 1982 & 1985 is a historically significant recording, presenting Stevie Ray Vaughan in the biggest show of his life to that date, then three years later, once he had become a star. The 1982 show is essentially the show that got his career started. He met both Jackson Browne and David Bowie after his set, and they were so impressed that Browne volunteered use of his studio (for free!) for Stevie to record what would become his debut album, and Bowie recruited him as lead guitarist for the Let's Dance album and tour (alas, the tour was not to be). However, not everyone was so impressed. In fact, there are choruses of boos that follow nearly every tune. Vaughan was basically a nobody at the time, playing very electric blues at the end of a mostly acoustic program.

An extensive 6CD box set devoted to one of the key innovators of the '60s psychedelic sound featuring their entire output, rarities and demos. Featuring the first CD issue of the mono mix of the 'Mass In F Minor', the collection also compiles the original dedicated mono 45 mixes, plus rare cuts, early demos, and extended takes, as well as the legendary live recording of the band captured in Stockholm during their European tour in late 1967, all lovingly remastered by Alec Palao. To complement these unique psychedelic sounds the box set includes a comprehensive history of the group by Gray Newell, featuring in-depth recollections from original vocalist James Lowe, and from key member of the later incarnation of the band, Richard Whetstone, making this the definitive Electric Prunes' collection.

Joseph Celli - Organic Oboe (1978) {O.O. Discs #1 rel 1991- Stockhausen, Celli, Goldstein, and Schwartz}
XLD rip (secure mode) | FLAC (tracks)+CUE+LOG -> 190 Mb | MP3 @320 -> 99 Mb
Full Artwork @ 600 dpi (jpg) -> 46 Mb | 5% repair rar
© 1978, 1991 OODiscs | O.O. DISCS #1
Classical / Electronic / Modern Classical / Avant-Garde / Minimal / Oboe / English Horn

Premiere American recording of Karlheinz Stockhausen, Joseph Celli , Malcolm Goldstein, and Elliott Schwartz. Wonderful performances by Joseph Celli in this historic recording re-released on CD. Contains the only American release of Stockhausen's "Spiral" (1968) for soloists on short-wave radio and other instruments, Celli's "Sky:S for J" (1976), Elliott Schwartz' "Extended Oboe" (1973-74) for oboe and electronic tape, and Malcolm Goldstein's "A Summoning of Focus" (1977) for wind instruments.

The second album from this unusual blues-rock trio finds the band continuing to explore the borderlands between swamp boogie, funk, R&B, country, Delta blues, and Chicago blues, with consistently fruitful results. Operating without a bass player (vocalist Steve Marriner plays guitar, keyboards, and harmonica, while Tony D plays lead guitar and Matt Sobb plays drums), MonkeyJunk nevertheless generate a dark and thoroughly grounded groove – or perhaps one should say "grooves." "Right Now" is Texas-style funky blues, heavy on the wah-wah pedal; "Running in the Rain" is full-tilt barrelhouse blues with a strong R&B undertow; "With These Hands" is a lovely example of Muscle Shoals-style soul music…