War Deliver

If Lonnie Jordan's 2007 long-player War Stories is to believed - that and a couple of thousand other 12" singles and albums by other artists around the globe - the era of nu soul has given way to soul, and acid jazz has given way to genuine jazz-funk once more. It's not so much that he makes a claim for these things, it's that the evidence is in the grooves themselves. Jordan is, of course, a founding member of Bay area legends War. His singing and keyboard playing helped to define that group's brave (and very successful) attempts at combining jazz, funk, soul, Latin groove and polyrhythmic pop. War Stories is Jordan's third album as a leader, and his first since 1982. It is also easily the best of his own recordings. Of course there are elements of War's sound here and the synthesis that was their trademark is, as expected, all over this 14-song set…

An often overlooked and underrated part of War’s legacy was their instrumentals, many of which were quite imaginative. War’s members loved jazz, and they expressed that passion not because they had any illusions of trying to compete with Miles Davis or Joe Henderson, but simply for the enjoyment of it. Released as a two-LP set, Platinum Jazz gathered War’s previously released instrumentals (plus one vocal, “Deliver the Word”) with fine results. Jazz fusion material ranging from the unpredictable “City, Country, City” (arguably the band’s best instrumental ever, and certainly their best known) and the salsa-influenced “Nappy Head” to the mellow “H2Overture” and the congenial “Smile Happy” show just how effective War’s members could be without vocals. And when saxman Charles Miller and keyboardist Lonnie Jordan stretch out, it’s clear that as improvisers, they weren’t half bad.