White

Elation is the twelfth studio album by the American hard rock band Great White, released in May 2012. It is the first Great White studio album to feature vocalist Terry Ilous. Additionally, it is the first one without original vocalist Jack Russell. Elation was produced, recorded and mixed by Michael Lardie and Mark Kendall, the band's two guitarists. Since its release, the album has been met with mixed to positive responses. Jon Hotten reviewed the album positively for Classic Rock magazine, writing that "it shows some of the qualities that took (Great White) in their substantial heyday", when the band "made hard rockin' sound easy".

There's no mistaking Tony Joe White's signature swamp boogie. Patented in the late '60s, White has been working that same low-down blues grind ever since, taking a long sojourn from recording in the '80s before settling into a regular groove sometime around the time of the new millennium. Usually, these collections of new songs were on tiny labels – including his aptly named Swamp imprint – but 2013's Hoodoo appeared on Yep Roc and received an appropriately larger push than its recent predecessors.

Psycho City is the sixth studio album by the American hard rock band Great White, released in 1992. It was the last studio album produced for Capitol Records, with the exception of the 1993 compilation The Best of Great White: 1986–1992.

White Light was a progressive/psychedelic rock group originally from New Orleans, then later from Austin, Texas, USA, where the group once recorded with Sonobeat Records (Mariani, Wildfire). White Light was comprised of Mike Hobren on guitars and vocals, Rob Haeuser on bass and synthesizers, and Rusty Haeuser on percussion and flute. On White Light's self-titled album, fans of Progressive Rock will be treated to a real romp of experimental music that utilizes a host of instrumentation and special effects. The group's music is powerfully expressed on the track Pacemaker. Mike Hobren employed a diverse range of styles and techniques on the guitar, including the use of a cello bow on the introduction to the track Stargazer. Rob Haeuser's bass grounded the music perfectly, and his synthesizer work was, at times, haunting. Rusty Haeuser provided well-rounded percussion to inject a powerful rhythm line into the music…

White’s Lamentations are not as famous as Tallis’s, but their plangent harmonies and clashing lines have an equal intensity. This impressive debut disc by Gallicantus (an all-male group from the Tenebrae choir) includes White’s motets and hymns, emphasising his response to the texts and his eloquent way with the single Hebrew letters that begin each Lamentation. The vocal balance is slightly bass-heavy, but the sound is beautifully recorded.