White

Photogenic session vocalist Karyn White scored a hit in 1987 by lending her vocals to the Jeff Lorber track "Facts of Love." Not long after, her self-titled solo debut propelled her to pop stardom, and was one of the first albums to solidify Babyface and L.A. Reid as top-notch songwriters. The album was lush, state-of-the-art pop R&B at its finest, and scored no less than three pop Top Ten hits for the burgeoning songbird. "The Way You Love Me" and "Secret Rendezvous," which were also big dance hits, were groove-heavy, melodic, and sophisticated, and their success was no doubt aided by White's striking good looks. However, the song that White will probably be best remembered for is the anthemic ballad "Superwoman," a song that touched a chord with working women everywhere, and, likes its predecessors, shot to the pop Top Ten and the top of the R&B charts.

British-born blues-rock guitarist Snowy White first became interested in music at age 11, when he heard urban blues performers like B.B. King, Otis Rush, and Buddy Guy, and was inspired to create his own clean, hard-edged style of British blues. After moving to London in the early '70s, White spent the decade forging his sound and playing with like-minded artists such as Pink Floyd, Peter Green, and Thin Lizzy. In 1979 Thin Lizzy asked White to join them as a full-time bandmember; he did, touring and recording Chinatown and The Renegade with them. In pursuit of different musical directions, White left Thin Lizzy in 1982. Joined by drummer Richard Bailey, bassist Kuma Harada, and keyboardist Godfrey Wang, he recorded his solo debut, White Flames. Its "Bird of Paradise" single became an international hit, reaching number three on the U.K. charts.

Josh White, who became famous in the 1940s as an accessible and highly intelligent folk singer, began his career as a blues-oriented vocalist and guitarist. Vol. 1 of his complete early recordings starts with a couple instrumental jams from 1929 with the Carver Boys (a quartet consisting of harmonica and three guitars). The remainder of this CD is from 1932-1933, with White heard on some easy-to-take religious songs and as a blues performer. These 24 recordings are all solo numbers other than two selections that have an unknown pianist added. White's voice is strong, and his guitar playing is quite fluent. Among the better numbers are "Black and Evil Blues," "Things About Coming My Way," "Double Crossing Woman," and "Lay Some Flowers on My Grave." This set is particularly recommended to blues collectors who were not aware of Josh White's musical beginnings.

White Willow are the leading Norwegian band, mixing elements of orchestral pop, 1970s progressive rock, jazz-rock, and even electronica. The band were begun in 1992 by guitarist Jacob Holm-Lupo. Over a period of 2 years from December '92 to September '94 the band recorded a number of songs that would form their fist album, Ignis Fatuus, released in '95 by The Lasers Edge, the start of a long partnership with the American label, and signalling them as one of the leading groups in the revival of Progressive Rock along with bands like Anglagard and Anekdoten. The sound of this first album is largely characterised by mid paced, acoustic guitar and mellotron led Folk Prog, bringing to mind Gryphon but with a touch of the more acoustic nature of early Genesis and King Crimson's first line-up. However, the two "epic" songs that close out the album showed a full electric band with a much more staunchly Symphonic approach…

Bella White’s new album "Among Other Things" sees her music evolving as she embraces a fuller band sound while continuing to write the kind of deeply personal, intimate lyrics that made Just Like Leaving such a captivating debut. Produced by Jonathan Wilson (Angel Olsen, Father John Misty, Margo Price, Billy Strings) at his Topanga Canyon Studios and featuring an array of first-rate musicians including Wilson on drums, Big Thief’s Buck Meek on guitar, and string arranger and keyboard player Drew Erikson (Lana Del Rey).

Snowy White is one of a handful of classic blues-orientated British electric guitar players - musicians whose sound, technique and style has echoed the originality of the blues with the excitement of contemporary rock.

White Light was a progressive/psychedelic rock group originally from New Orleans, then later from Austin, Texas, USA, where the group once recorded with Sonobeat Records (Mariani, Wildfire). White Light was comprised of Mike Hobren on guitars and vocals, Rob Haeuser on bass and synthesizers, and Rusty Haeuser on percussion and flute. On White Light's self-titled album, fans of Progressive Rock will be treated to a real romp of experimental music that utilizes a host of instrumentation and special effects. The group's music is powerfully expressed on the track Pacemaker. Mike Hobren employed a diverse range of styles and techniques on the guitar, including the use of a cello bow on the introduction to the track Stargazer. Rob Haeuser's bass grounded the music perfectly, and his synthesizer work was, at times, haunting. Rusty Haeuser provided well-rounded percussion to inject a powerful rhythm line into the music…