Who Wight

This double CD is pretty similar in sound and content to the expanded Live at Leeds album, except there's much more from Tommy, and a few semi-obscure numbers like "I Don't Even Know Myself," "Water," and "Naked Eye." Hardcore Who fanatics seem to prefer Live at Leeds, which was recorded only a few months before this material. That viewpoint is understandable: the performances are sharper on Leeds, and if you're not a big-league fan, that single-disc set is a more economical survey of the band in concert during this era. If you do like the Who a lot, though, Isle of Wight is worth having. The sound and performances are decent, although be aware that the band's on-stage version of Tommy omits some decent songs from the opera, such as "Sensation" and "Underture."

Tommy is the fourth studio album by the English rock band The Who, a double album first released in May 1969. The album was mostly composed by guitarist Pete Townshend as a rock opera that tells the story about a deaf, dumb and blind boy, including his experiences with life and his relationship with his family.

Tommy is the fourth studio album by the English rock band The Who, a double album first released in May 1969. The album was mostly composed by guitarist Pete Townshend as a rock opera that tells the story about a deaf, dumb and blind boy, including his experiences with life and his relationship with his family.

Eagle Records’ 2010 release of The Who Live at the Isle of Wight Festival 1970 is essentially a repackaged reissue of Legacy’s 1996 archival release, containing the same 30 songs over two discs. This, of course, makes sense: both CD editions contain the entirety of the concert, which was heavily bootlegged before the official 1996 release. Eagle Records doesn’t change anything but the cover art, but it doesn’t need to: this is one of the Who’s legendary live shows, not as good as Live at Leeds but running a close second, and is certainly worthwhile for any serious fan.

Filmed in 1970 at the Isle of Wight Festival, this classic concert captures The Who at the height of their powers, delivering the only live performance ever recorded of the rock musical "Tommy" in its entirety…

August, 1970: With Jim Morrison's ongoing Miami obscenity trial casting an ominous shadow over the band, The Doors flew to England to play the Isle of Wight Festival. Waiting for them at "The Last Great Festival" were over 600,000 fans who had already torn down the barriers, crashed the gates, and enjoyed performances by the world's top acts such as Jimi Hendrix, The Who, Miles Davis and Joni Mitchell. The Doors took the stage at 2 am, playing with the weight of the trial on their backs, and showed fans they still had the magic that had propelled them to the top during the Summer of Love. "We played with a controlled fury and Jim was in fine vocal form," said Doors organist Ray Manzarek. "He sang for all he was worth, but moved nary a muscle. Dionysus had been shackled." Less than a year later, The Doors were no more.

In 2004 The Who returned to the Isle Of Wight Festival for the first time since their legendary performance in 1970. After a long absence, the festival had been reborn in 2002 and continues to this day. Their UK concerts in 2004 were the first in their home country since the death of founder member John Entwistle…