It may come as a surprise to many to know that the psychedelic rock and folk movement of the late 60s and early70s was not confined to the USA and Europe. In fact, the massive cultural upheavals of the 1960s had spread far and wide and by 1967-68, musicians, artists and writers across the world were exploring new ways to express themselves. This was no less the case in South America and it was during the late 60s and early 70s that an explosion of psych rock and folk produced amazing music that still inspires half a century later.
This Edition presents the “Magnificent Seven” and the “encore” in optimum technical quality. In the mid-Fifties of the last century, with the Cold War freezing relations between East and West, the English record label Decca decided to record a series of Russian operas with the Belgrade National Opera. Belgrade in the Yugoslavia of those days under Josip Tito was more open to “the West” than the Warsaw Pact countries gathered under the wing of the Soviet Union. The deal had been struck by former Decca manager and successful promoter of east European folklore in the USA, record executive Gerald Severn.
This Edition presents the “Magnificent Seven” and the “encore” in optimum technical quality. In the mid-Fifties of the last century, with the Cold War freezing relations between East and West, the English record label Decca decided to record a series of Russian operas with the Belgrade National Opera. Belgrade in the Yugoslavia of those days under Josip Tito was more open to “the West” than the Warsaw Pact countries gathered under the wing of the Soviet Union. The deal had been struck by former Decca manager and successful promoter of east European folklore in the USA, record executive Gerald Severn.
This Edition presents the “Magnificent Seven” and the “encore” in optimum technical quality. In the mid-Fifties of the last century, with the Cold War freezing relations between East and West, the English record label Decca decided to record a series of Russian operas with the Belgrade National Opera. Belgrade in the Yugoslavia of those days under Josip Tito was more open to “the West” than the Warsaw Pact countries gathered under the wing of the Soviet Union. The deal had been struck by former Decca manager and successful promoter of east European folklore in the USA, record executive Gerald Severn.
Nils Lofgren is an American rock musician, recording artist, songwriter, and multi-instrumentalist. Along with his work as a solo artist, he has been a member of Bruce Springsteen's E Street Band since 1984, a member of Crazy Horse (1970–1971; 1973; 2018-present), and founder/frontman of the band Grin. Lofgren was inducted into the Rock and Roll Hall of Fame as a member of the E Street Band in 2014. Before he was under the wing of Neil Young and before he made a series of underappreciated solo albums, guitarist Nils Lofgren formed Grin, a trio that was devoted to simple, basic rock & roll, in 1969. None of Grin's albums were commercially successful – they only received good reviews, not sales – but each showed a promising, dynamic group. Unfortunately, the group never fulfilled its potential, but the finest of its albums featured some terse, brilliant guitar from Lofgren that ranks with the best of his later work.
Nothing could be more appropriate in celebrating Victoria de los Angeles’s 75th birthday than this extensive conspectus of her recordings of Spanish song over 40 years. It’s hardly possible in a brief review to do justice to such an astonishing achievement on the part of the Spanish soprano; indeed had she sung nothing else her place in recorded history would be assured.