For this 1987 release, the World Saxophone Quartet performs ten group originals: three apiece by tenor saxophonist David Murray and altoist Oliver Lake and two by baritonist Hamiet Bluiett and altoist Julius Hemphill. Celebrating its tenth year as a part-time group at the time, the WSQ was not as radical as ROVA, but their mixture of melodies and abstraction, rhythms and adventure were still quite appealing and filled their own niche. This is an underrated release, recorded between their better-known Plays Duke Ellington and Rhythm and Blues CDs.
With tunes such as "Let's Get It On," "(Sittin' On) The Dock of the Bay," "Try a Little Tenderness" and "Night Train" being included, this CD certainly qualifies as one of the most unusual of all the World Saxophone Quartet recordings. Far from being a sellout to commercialism, this set features the WSQ (altoists Julius Hemphill and Oliver Lake, tenor saxophonist David Murray and baritonist Hamiet Bluiett) meeting the six soul and R&B tunes (which are joined by three complementary originals) head on. The WSQ was always open to playing rhythmically and was not allergic to strong melodies while including solo and group improvisations that were quite advanced. The combination works quite well on this surprising success.
Braxton had long been fond of working with improvising wind ensembles. In fact, the earliest incarnation of what would become the World Saxophone Quartet appeared on his landmark Arista album, New York, Fall, 1974. So his collaboration with the ROVA quartet, perhaps the most important practitioners of the form after the WSQ, came as no surprise…