Zoolook is the seventh studio album by French electronic musician and composer Jean-Michel Jarre, released on the Disques Dreyfus label in 1984. It makes extensive use of digital recording techniques and sampling. Much of the music is built up from singing and speech in 25 different languages, along with synthesizers (such as the Fairlight CMI), as well as more traditional instruments.
5 Classic albums in mini LP-style card sleeves; Magnetic Fields (1981), Zoolook (1984), Rendez-Vous (1986), Revolutions (1988) & Waiting for Cousteau (1990). Jean-Michel Jarre is the Godfather of Electronic Music. His albums - his classic debut Oxygene among them – have changed the way we hear the world today. Musicians and contemporary DJs refer to his influence and innovation, both in the studio and in terms of the immersive outdoor concert experiences he has engineered…
Razormaid Records was formed in the mid-80s by Joseph Watt and Art Maharg in San Francisco, California as a music service for club DJs. Their goal was to offer something other than just the regular versions of the pieces of music that everyone had. They created their own special versions of songs, editing and occasionally remixing the hottest club tunes being played (or about to be played) around the world.
Razormaid Records was established in the mid-80s and Joseph Watt Art Maharg in San Francisco, California as a music service club DJs. Their goal was to offer something more than just the regular version of the musical compositions, all of which were at home. They created their own special version of the song, editing and sometimes making a remix of the hottest club tunes played (or was going to play) throughout the world.
Originally released on Medium Productions (Karn's joint venture with ex-Japan colleagues Steve Jansen and Richard Barbieri), this uniquely adventurous and evocative selection of tracks written and arranged between 1995 and 1999 was finally released in 2001. Each Eye A Path reveals Karn at his most intimate and unfettered, Steve Jansen (who mixed the album) adds some typically tasteful drum and percussion parts.
Razormaid Records was formed in the mid-80s by Joseph Watt and Art Maharg in San Francisco, California as a music service for club DJs. Their goal was to offer something other than just the regular versions of the pieces of music that everyone had. They created their own special versions of songs, editing and occasionally remixing the hottest club tunes being played (or about to be played) around the world.