"george Cukor"

Gloriously witty adaptation of the Broadway musical about Professor Henry Higgins, who takes a bet from Colonel Pickering that he can transform unrefined, dirty Cockney flower girl Eliza Doolittle into a lady, and fool everyone into thinking she really is one, too! He does, and thus young aristocrat Freddy Eynsford-Hill falls madly in love with her. But when Higgins takes all the credit and forgets to acknowledge her efforts, Eliza angrily leaves him for Freddy, and suddenly Higgins realizes he's grown accustomed to her face and can't really live without it. Written by Tommy Peter

A chance meeting between two noted British linguists, Prof. Henry Higgins and Col. Hugh Pickering, leads to a wager that will test Higgins' skills. After they hear a cockney flower girl caterwaul in the street, Higgins proposes to transform the girl, Eliza Doolittle, into a refined Victorian lady with an aristocratic accent. After some hesitation Eliza agrees to become their test case. Written by alfiehitchie

Профессор филологии Хиггинс поспорил с полковником Пиккерингом, что сможет за 3 месяца сделать из простой уличной девчонки, торгующей цветами, говорящей на уличном жаргоне, настоящую английскую леди. Указанный срок истек, и перед высшим светом Лондона предстала прекрасная незнакомка. На великосветском балу она выглядела истинной аристократкой; её язык был безукоризненным, под стать шикарной одежде. Но, к несчастью для себя, девушка влюбилась в своего создателя, а профессор - завзятый холостяк, на неё смотрит как на вещь…

Искрометный юмор, забавные ситуации, Золушка на глазах у зрителей превращается в принцессу, а убежденный холостяк — во влюбленного. Эта история трогает сердца уже не одного поколения зрителей.

Norman Maine, acteur vieillissant et alcoolique, décèle en Esther Blodgett, une jeune chanteuse, un talent qui ne demande qu'à s'épanouir. Mais Norman, une fois marié à Esther, étoile naissante de la comédie musicale, supporte mal le succès de sa femme et se remet à boire…

Norman Maine, a movie star whose career is on the wane, meets showgirl Esther Blodgett when he drunkenly stumbles into her act one night. A friendship develops, then blossoms into romance before tensions increase as Esther's career takes off while Norman's continues to plummet.

Scarlett is a woman who can deal with a nation at war, Atlanta burning, the Union Army carrying off everything from her beloved Tara, the carpetbaggers who arrive after the war. Scarlett is beautiful. She has vitality. But Ashley, the man she has wanted for so long, is going to marry his placid cousin, Melanie. Mammy warns Scarlett to behave herself at the party at Twelve Oaks. There is a new man there that day, the day the Civil War begins. Rhett Butler. Scarlett does not know he is in the room when she pleads with Ashley to choose her instead of Melanie.

Paula è una cantante e ha appena sposato Gregory, un pianista mediocre. Gregory però è solo interessato alla ricchezza di Paula. Così, cerca di impadronirsene facendole credere di essere impazzita. Facendole credere che i lumi a gas nella loro dimora non si abbassino di continuo – manovrati da lui, che nega – ma siano solo il riflesso della sua mente malata. Paula, a cui nessuno crede mai, finisce per perdere la voce. Questo accade in "Gaslight" ("Angoscia" in Italia), indimenticabile film di George Cukor con Ingrid Bergman e Charles Boyer, da cui ha avuto origine il termine e la tecnica di manipolazione a esso associata, gaslighting..