フェアリーフェンサー A.m.u.

U.K. - Danger Money (1979) [2009, Japan SHM-CD, 30th Anniversary Edition] Music

Posted by v3122 at July 3, 2010

The followup album has Terry Bozzio taking over the drumming. It features exceptional synth work by Eddie Jobson and bass and vocals from John Wetton. ~ Paul Kohler

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U.K. - Danger Money (1979) [2009, Japan SHM-CD, 30th Anniversary Edition] Repost Music

Posted by v3122 at July 10, 2016

The followup album has Terry Bozzio taking over the drumming. It features exceptional synth work by Eddie Jobson and bass and vocals from John Wetton. ~ Paul Kohler

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VA - Now That's What I Call a Decade 2000-2009 (3CD, 2020) Music

Posted by ciklon5 at Jan. 10, 2021

VA - Now That's What I Call a Decade 2000-2009 (3CD, 2020)
FLAC tracks | 04:03:15 | 1,64 Gb
Genre: Dance, Disco, Reggae, RnB, Pop, Rock, Rap / Label: Universal Music

Above the album worked the 'Now That's What I Call a Decade 2000-2009', and his release took place on 2020. The album has got songs with a total duration of more than an hour. A compilation is a compilation of original music.

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U-Nam - Surface Level (2016) Music

Posted by popsakov at March 30, 2021

Billboard Chart-Topper Jazz Artist U-Nam is back with a brand new album “Surface Level”. U-Nam says: "I’m very excited about this new album and I hope you will enjoy it as much as I’ve enjoyed writing it and recording it. The album has a mix of everything I love, Funk, Smooth Jazz, Soul and a little bit of new influences. I had the help of my usual team and friends on this album, plus some new faces: Shannon Kennedy (Sax,Flute), Dwayne “Smitty” Smith (Bass), Denis Benarrosh (Percussion), Ramon Yslas (Percussion), Fran Merante (Drums), JFly (Drums), Bill Steinway (Piano), Christian Martinez (Trumpet), Maria Grig (Violin & Alto), Raymond Gimenes (Strings Arrangement), Kim Chandler (vocals) & Tim Owens (Vocals), but as well my very good friend Bob Baldwin, and my new “Protégé” and Skytown Records new artist Valeriy Stepanov."

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Acid Mothers Temple & The Melting Paraiso U.F.O. - Wild Gals A Go-Go (1999) {2006 Swordfish/Riot Season} Music

Posted by TestTickles at Feb. 19, 2020

Acid Mothers Temple & The Melting Paraiso U.F.O. - Wild Gals A Go-Go (1999) {2006 Swordfish/Riot Season}
EAC Rip | FLAC with CUE and LOG | scans | 364 mb
MP3 CBR 320 kbps | RAR | 157 mb
Genre: psychedelic rock

Wild Gals A Go-Go is the 1999 album by Acid Mothers Temple & The Melting Paraiso U.F.O. A psychedelic festival of fun, this was released in 2006 by Swordfish/Riot Season.

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Humble Pie - The A&M Rarities 1970-1975 (2022) Music

Posted by Rtax at Dec. 1, 2022

Humble Pie - The A&M Rarities 1970-1975 (2022)
WEB FLAC (tracks) - 313 MB | MP3 CBR 320 kbps - 120 MB
48:38 | Classic Rock, Blues Rock | Label: A&M

A showcase for former Small Faces' frontman Steve Marriott and one-time Herd guitar virtuoso Peter Frampton, the hard rock outfit Humble Pie formed in Essex, England in 1969. Also featuring ex-Spooky Tooth bassist Greg Ridley along with drummer Jerry Shirley, the fledgling group spent the first several months of its existence locked away in Marriott's Essex cottage, maintaining a relentless practice schedule. Signed to the Immediate label, Humble Pie soon issued their debut single "Natural Born Boogie," which hit the British Top Ten and paved the way for the group's premiere LP, As Safe as Yesterday Is.

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V.A. - Vanity Box (1978-1981) (11CD Box Set, 2019) Music

Posted by Discograf_man at Jan. 14, 2020

V.A. - Vanity Box (1978-1981) (11CD Box Set, 2019)
EAC Rip | FLAC (*tracks+.cue+log, covers) | Run Time: 06:58:40 | 2,19 Gb
Genre: Experimental, Minimal Synth, Ambient, Post-punk | Label: Kyou Records/Vanity Records

VANITY BOX - Vanity Records / music is up and down is a 11 CD box set that compiles all full length albums and 7 inches singles that were originally released by Vanity Records from 1978 to 1981. All material included in this box set was sourced from the original master tapes and has been digitally remastered.

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Dodgy - Free Peace Sweet [A&M 540 573-2] {Europe 1996} Music

Posted by luckburz at June 17, 2012

…Dodgy's style is beginning to sound a bit formulaic, but there's no denying that the band has an infectious, exciting sound that makes the similarities between their albums forgivable.

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R.E.M - Monster Movies (2019) Music

Posted by Rtax at March 5, 2023

R.E.M - Monster Movies (2019)
WEB FLAC (tracks) - 775 MB | MP3 CBR 320 kbps - 269 MB
1:54:31 | Alternative Rock, Pop Rock | Label: Leftfield Media

DYNAMIC 1995 BROADCAST FROM R.E.M. s MONSTER TOUR R.E.M.'s 1994 album, Monster, was, as the band declared at the time, "a 'rock' record, with the rock in quotation marks." In contrast to the sound of its two predecessors - 1991 s Out Of Time and 92 s Automatic For The People - the music of Monster consisted of distorted guitar tones, minimal overdubs, and touches of 1970s glam rock. The album topped the charts in both the US and the UK. In January 1995, R.E.M. set out on its first tour in six years. The tour was a huge commercial success, although health issues plagued the group - on March 1st, Bill Berry collapsed on stage during a performance in Lausanne, Switzerland, having suffered a brain aneurysm. Michael Stipe required emergency surgery for a hernia and Mike Mills needed abdominal surgery mid-tour. Despite the above, the band generally performed superbly, with one of the stand-out shows taking place at The Milton Keynes Bowl in the UK, on July 30th, which was broadcast live nationally on UK FM Radio, and synched too, back home in the U.S. Previously unreleased this exceptional performance is now available for the first time on this double CD set.

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R.E.M. - Rear-View Mirror (2023) Music

Posted by ciklon5 at Sept. 14, 2023

R.E.M. - Rear-View Mirror (2023)
MP3 320 kbps | 1:53:23 | 259 Mb
Genre: Alternative Rock / Label: Freefall

R.E.M. marked the point when post-punk turned into alternative rock. When their first single, "Radio Free Europe," was released in 1981, it sparked a back-to-the-garage movement in the American underground. While there were a number of hardcore and punk bands in the U.S. during the early '80s, R.E.M. brought guitar pop back into the underground lexicon. Combining ringing guitar hooks with mumbled, cryptic lyrics and a D.I.Y. aesthetic borrowed from post-punk, the band simultaneously sounded traditional and modern. Though there were no overt innovations in their music, R.E.M. had an identity and sense of purpose that transformed the American underground.

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