南洋派對 南洋派對 N.y.p.d.

Marguerite Long et les Pasquier dans le Quatuor op. 15 ? Trésor d'une discographie comparée, et centre d'un album résumant les années 1870 de Fauré. Nul de ses élèves, de ses contemporains et des lecteurs de son livre Au piano avec Gabriel Fauré ne devait l'ignorer : Marguerite Long (1874-1966) savait mieux que personne jouer la musique de son « ami », elle qui l'avait bue à la source. Si Fauré n'était pas pressé de distinguer un gardien du temple, elle s'installait à l'entrée avec autant de fierté batailleuse (mais pouvait-il en être autrement pour une musicienne dans le Paris des années 1900 ?), de petits arrangements avec le souvenir du compositeur (« ami » surtout de son mari le musicologue Joseph de Marliave, mort à la Grande Guerre) et de vanité (terribles interviews) que d'exigence perspicace, de fierté légitime et d'amour pour une musique qu'elle aura servie sans relâche. C'est d'ailleurs à quatre-vingts ans que la pianiste invite le Trio Pasquier à graver avec elle le Quatuor op. 15 !

Vicente Martín y Soler, nicknamed ‘the Valencian Mozart’, was as famous in his own day as his Austrian contemporary. The ‘very rare thing’ depicted in his biggest success, the opera Una cosa rara, is the combination of beauty and honesty, in the person of a charming peasant girl! The work was arranged for wind ensemble by Johann Nepomuk Wendt, and Mozart quoted from it in Don Giovanni. This programme is completed by premiere recordings of three divertimenti.

The box set 83:13, represents an innovative and bold new commitment of White and Black, as it is not common in the sector risk publish a work of this size, with 15 CDs in one box. But the label has chosen to make an effort: this album 83:13 wants to be a tribute and reminder of the past 30 years creating, editing, distributing dance music in Spain and in the world and has a comprehensive collection of topics that monitors progress dance music published by the company.

Isaac Stern supported by the English Chamber Orchestra conducted by Schneider in the A minor, N.Y.P. by Mehta in D minor and N.Y.P. by Bernstein in C minor, dispaly the best of his musicianship to display an admirable compilation of these three emblematic Bach's works. Once again, Stern carves in relief why he was the most kaleidsocopic violinist of the last century. His vast repertoire and the majestic sumptuousness he gives these pages have no paragon.

The box set 83:13, represents an innovative and bold new commitment of White and Black, as it is not common in the sector risk publish a work of this size, with 15 CDs in one box. But the label has chosen to make an effort: this album 83:13 wants to be a tribute and reminder of the past 30 years creating, editing, distributing dance music in Spain and in the world and has a comprehensive collection of topics that monitors progress dance music published by the company.

Chiplandschaften (2005). More than two and a half years of work have been invested into this debut and a great deal of this time, producer Harald Karla has put into the breathtaking production technique of his music: all tracks are based on 8-bit sounds only which the computer fetishist has exclusively created with an Commodore Amiga 1200. Step by step, the Amiga sounds then have been recorded manually with an Yamaha A5000 sampler and in another step have been further worked on. In this very rangy kind of work process, Jonson has produced all thirteen tracks plus two bonus tracks of his debut. Not surprisingly, the album shows an incredibly unique sound. On "Chiplandschaften", quiet, harmonic tracks are being mixed with subtle grooving beats ("Autumnbits"), weightless worlds of sound ("Tiefszene", "R.E.S.A.M.P.L.E.", "Prozessordenken") invite you to float thoughtlessly…

Anne-Sophie Mutter & Lambert Orkis - Beethoven. Die Violinsonaten [4CD BoxSet] (1998) {Deutsche Grammophon}
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© 1998 Deutsche Grammophon | 0289 457 6192 3 GH 4
Classical / Chamber Music / Violin

The idea is for the music to be the most important thing in a performance, not the performer, not the performer's dress, not the performer's hair, not the performer's smile, not the performer's figure. If all that mattered in a performance of classical music was how sexy the violinist looked, Lara St. John would be the greatest performer of classical music who ever lived and Gidon Kremer would be laughed off stage. But in classical music, it is the music that matters most, not how well the violinist fills a designer gown…

Various Artists - L'Europe Musicale de la Renaissance (2013) [8CD BoxSet] {Outhere}
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© 2013 Outhere / Ricercar | RIC 106
Classical / Early Music

Jérôme Lejeune continues his History of Music series with this boxed set devoted to the Renaissance. The next volume in the series after Flemish Polyphony (RIC 102), this set explores the music of the 16th century from Josquin Desprez to Roland de Lassus. After all of the various turnings that music took during the Middle Ages, the music of the Renaissance seems to be a first step towards a common European musical style.